Search: Starring Kris Kristofferson

Full of visceral action from start to finish, this is a kinetic mix of impressive stunts and inventive shots.

Blade has no sense of humour - you knew that already - but Snipes is made to look iconic, which means he's a dull date.

What Peckinpah does so brilliantly in this deceptively clever film is to build elegantly on the established tropes of the genre only to pull the rug from under them half way through.

Borgnine easily steals the rug out from everyone with his sadistic, larger than life villain.

Fell off the sentiment tree and hit every branch on the way down.

The story is told without frills and if you find yourself choking with emotion practically all the way through, it doesn't feel faked.

Ruzowitzky bobs and weaves around the cliches in ways that lift Deadfall above many of its genre contemporaries.

The scriptwriters commit hari-kari, leaving the movie up to its neck in hokum.

This is a comprehensive and uncompromising look at some of the films that still influence many independent filmmakers today.

Despite all the blood on screen, Fast Food Nation is a strangely anaemic movie.

As a portrait of friendship, at that critical moment when defences are down and truth hurts too much, Girls Night comes through as the genuine article.

The nature of Harry Dean Stanton means that no documentary is ever going to get underneath his skin, yet director Sophie Huber does manage to crack his defensive wall on occasion.

Brody's concentrated performance, as a man who may, or may not, be going out of his mind, creates a tense, claustrophobic atmosphere that pervades the film.

A rather dull action Western.

John Sayles... ability to create flawed romantics with brooding secrets that lurk in the shadow of danger is remarkable.

This whole venture is silly-side-up.

It hardly helps having Mark Wahlberg in the lead. As charismatic as seaweed, he creates a new milestone in minimalist acting. It's called not acting.

A treatise on the American Old West, Requiem drips with a kind of nostalgic pathos, richly enhanced by the breathtakingly beautiful photography courtesy of Patrick Ghiringhelli.

It all builds to a climax that should be ludicrous but instead manages to be satisfyingly strange and sinister.

As a rites-of-passage, it suffers too wide a time frame.

Low-budget charmer shows a different side and range to Owen Wilson.