Search: Starring Kristen Stewart

At its core, Adventureland is a surprisingly sweet and tender coming-of-age romance.

The lack of any real ‘pop’ to the proceedings is rooted in the fact that the whole film is played as a flashback.

A fluffy and charming confection that has an enticing exterior without much substance on the inside.

Cronenberg, a seemingly gentle soul on the surface, remains tortured by the possibilities of technology and how it may tear us apart.

Certain Women is a film suffused in uncertainties.

There is much irony on the theme of generational gulfs, internet obsessions and the nature of creativity and culture. Unfortunately none of it rings true.

A ragbag of cliches that owe a debt to everything from Romeo and Juliet to THX 1138.

As with many Dupieux films, beneath the laughter there’s a fair bit of insight into the absurdity of human relationships.

Penn’s camera loves the landscape and captures its immensity.

The film is at its strongest when it's exploring the nature of manipulation and who, exactly, is manipulating whom.

This is a grim, austere story of the pressure cooker of frustration, rage and fear that results when the patriarchy squeezes just as tight as the corsets of the time.

There's no doubt that by presenting several characters as pure id is quite a dangerous gambit for a filmmaker but Glass keeps things interesting by having them driven by different things.

A bit of standard-but-creepy Asian horror stapled poorly to a dull-as-ditchwater Hollywood thriller.

Bart Freundlich plays it safe when he should have been edgy and dangerous.

Stewart valiantly tries to soldier through but cannot make her character spring to life.

The camera soars like a bird, zooming and floating through walls, pressing the audience into a voyeuristic role.

There's a wham, bam, thank you, man, quality to this music biopic that makes it a pleasurable rock rush that's easy on the eye, even if it fails to do much more than skate the surface of the band of its title.

A gripping, exhilarating rollick through a medieval wasteland.

There are strong supporting performances from a relatively small cast, but they pale in comparison to Stewart.

Moore runs away with the film.

This movie is ridiculous.

As far as teen fantasy movies go, Eclipse is pretty good.

If you're an emotional teenage girl, take a tissue. If you're not, take a cushion, for this is a film that lasts about three days. And a sickbag.

Emphasising texture over tension, Undertow plays like a mud-splattered Hansel and Gretel.

While this might sound like a trite story of redemption, it’s one infused by both a unique aesthetic and compelling central performances.

The performances are anything but annoying. In fact, they are charming, without being mumsy, and cute, without being showy-off.