Search: Starring Mads Mikkelsen

Shot with a loose but observant style that captures energy and thoughtfulness in all the right places.

Joe Penna's thriller is as lean and spare as life up in the Arctic wilderness.

For those who know and love Van Gogh's work, the effect is hypnotic, a translation of his vision into a new medium.

An astonishingly powerful story.

By focusing on the journey of how a spy becomes the Bond, James Bond we all know, the movie manages the impossible task of coping with all the baggage laid before it and reinvigorating our interest.

The high concept - that the thoughts of everyone on the dystopian New World appear as a cloud of "noise" about their head - does, ironically, take some getting your head around.

If you’re looking for big-budget, popcorn entertainment, then Titans certainly won’t disappoint.

The most mind-bending, spectacular visuals of the entire series.

Jokes are low-brow but delight audiences easily enough to give the film international appeal.

It is refreshing to see a film which refuses to romanticise this subject matter.

An intense performance from Mads Mikkelsen, who is an actor rarely bettered when it comes to playing men in savage situations.

There's a difficult place between homage and pastiche, between nostalgia and the new.

The dialogue has a tendency to forget what century it is.

At times it feels as if Jensen is trying to spin too many plates at once, but in the moments when it all comes together, it’s a delight to watch.

Its disgusting surface is supported by a framework that’s more intelligent than in plenty of prettier films.

Dogme's restrictions become strengths in the hands of a creative masterbuilder like Jensen.

There is a redemption arc here, but it’s not the whole of the story, and Arcel uses it to highlight the deep inequities so normalised at the time as to be almost invisible, even the most desperate characters tending to take them for granted.

he film does everything right in its portrayal of a character on the run... the characters are searingly real.

For all its sadness of theme, Prag is a strangely beautiful and moving film.

Whatever expectations are carried in are brought to a stop, hard.

Mikkelsen anchors this movie with a performance that allows emotional turmoil to glint through Markus' regimented facade, playing off the impressive combination of anger and grief that Gaderberg brings to Mathilde.

The historical reality was as much about political as personal liberty, and the film reflects that.

War by any other name

It treads a fine line between the serious and the comic.

The difficulty with sustaining intensity for any period of time is that it so easily becomes ridiculous, but there is absolutely nothing in this brutal, at times violent film that will have you laughing.

Reality takes a back seat in this oddball comedy.