Search: Starring Martin Freeman

It feels like the diktats of the Marvel Story Parliament have weighed almost as heavily as the loss of their star.

Breaking And Entering feels genuinely homegrown, with an intelligent script, beautifully handled by actors and director.

In truth, this is yet one more safe retelling of an old favourite. Not radical at all.

When it's not busy trying to impress, the film conjures up a lot of atmosphere and succeeds in disturbing.

Flawed, but with enough interest to suggest Jake Paltrow may be one to keep an eye out for in future.

The pacing is agonisingly ponderous: in the screening I attended two ents got up and left.

Formulaic but exuberant, packed with quirky humour and very difficult not to like.

More combat means less time for character interaction, and by the third act, Jackson has already shoehorned in more characters than the film can handle.

Benedict Cumberbatch lends this cruel, ancient dragon all the gravitas and otherworldliness that Sean Connery utterly failed to in Dragonheart.

Worse than incomplete, Haigh's film lacks a fully developed soul. This is in spite of striking aesthetic moments and sharply written scenes complemented by strong performances from the cast.

Martin Freeman is such a great actor that no matter how outlandish the film's events, it's grounded.

The mix of a humorous story with a well-set pace can’t cover up that the scientifically inaccurate lead element makes the story feel far too contrived.

These particular pirates may not be the greatest at, well, pirating, but if you're ready to set sail for adventure, they're the crew to join.

You can't help feeling you've seen this all before... and not just in this movie.

The film began as a series of web shorts and that episodic hit and miss nature endures.

The film exposes the haphazard working practices of TV journalism in dangerous places

Mylod doles out cliche after cliche - drinks and debauchery in clubs, waking up with Mr Wrong - but never injects enough warmth or humor into proceedings to keep them fresh.

While there are plenty of laughs, the film might be victim of a too-linear, too-literal and too-revealing trailer, and the impact of its funnier moments are dampened by familiarity.