Search: Starring Michelle Pfeiffer

Small of scale but big of heart, Ant-Man And The Wasp is a light and charming outing for a staggering film juggernaut.

It's okay. Relentlessly okay. Non-stop, wall-to-wall okay.

This is a short film about Catwoman weighed down by a lot of vague nonsense you'll end up skipping through.

The script is, at times, very funny, though the use of a very droll narration is unnecessary.

Dark Shadows lacks any real drive or momentum, struggling to sink its teeth into a compelling story or plot

As the story glides gracefully from pitch-black comedy to complicated tragedy, you are in no doubt this is a film which happened at the right time in the careers of its two central stars, and for cinema.

Pfeiffer’s delivery is fantastically inscrutable.

Hairspray is a sincere, thoroughly entertaining romp; bursting with boundless energy, inventive choreography and performances that quite simply delight.

Buttons are pushed, emotions manipulated.

An interesting side to this film is how Disney continue to stick two fingers up to the reactionaries.

For sheer style, the film is electric. Demme is incapable of being boring and consistently comes up with surprises.

This is one of those films where you wait for someone to fall off a horse.

If Ustinov emphasised the humour of Poirot and Suchet the meticulousness, Branagh manages to bridge the two, while also bringing an unexpected note of soulfulness and melancholy to his performance.

In the realm of the insane reason has no place. Anything is possible. Even the impossible

It's as though Marshall gathered together all the subplots from films that never got made or were left on the cutting-room floor and sticky-taped them together end on end to create this horror of a holiday centipede.

The film looks wonderful, but suffers from its own ambition.

The plot would confuse an intelligent bat.

Overrated and extremely dated.

A really enjoyable yarn in the Princess Bride mold, told with panache.

The best thing that director Robert Zemeckis does in this tribute-to-Hitchcock is create a feeling of unease surrounding Michelle Pfeiffer.

The colours, like that coat, only serve to show Kyra in even paler relief, her invisibility coming to offer a welcoming cloak as she hatches a plan to avoid destitution.