Search: Starring Miranda Otto

In the dark no one can hear you die

A slow-burning, emotionally haunting film that thrusts the bond between mother and child under a microscope.

Flight Of The Phoenix has very little going for it.

Jones spares none of the gory details in his depiction of the way the West really was.

Although flirting with melodrama, writer/director McGann remains wedded to the truth.

Our modern Prometheus spends most of the film sprinting from one CGI-overlaid battle to the next.

The Return Of The King is too long and slow. It has about five endings.

This is indeed the war of worlds

To mix courtly and cavalry intrigue requires stable footing and the film is well poised.

Barreto's film is a stylish feast for the eyes, registering the nuances of the 50s turning into the 60s.

Numerous small changes work together to change the character of the battle.

Anna Howard's cinematography is never anything less than stunning in its starkness.

The reason the film works so well is in its well-established teenage relationships - with the Philippous showing the attraction of being in with the cool kids and that the dangers this presents are particularly acute for those, like Mia, who are already emotionally vulnerable or, like Riley, desperate to be included in an older peer group.

There is more world building here than in any other part of the trilogy, and the additional material means it’s better balanced with character development.

The best thing that director Robert Zemeckis does in this tribute-to-Hitchcock is create a feeling of unease surrounding Michelle Pfeiffer.

The tension is relentless and the effects awesome.