Search: Starring Naomie Harris

Garland needs to get back to the drawing board and look up the term 'character development' in his notes.

A sophisticated palate will discern any number of flavours running through Black Bag, but these are glosses on a traditional recipe.

Is this a film about loss and how (not) to cope with it?

There is plenty of intriguing historical backdrop to this story, and Chadwick manages to incorporate much of it without losing focus on the very personal subject at the film's centre.

The film touches the corners of the envelope without revealing what is inside.

Miami Vice is definitely style over substance.

Jenkins doesn't just show us the experience of his young protagonist, he bathes us in it.

The characters are crudely drawn in more ways than one..

A great first step for screenwriter Oldham and actress turned director Lucy Akhurst, and a fun watch.

Kemp makes a virtue of his ‘going for a ride’ framework, so that the viewer has a short-hand indication of where each of the five segments into which the film is split will take them.

It’s hard not to become desensitised to the excessive hyper-violence playing out before you, which has clearly been employed to patch up what is an agonisingly threadbare plot.

No Time To Die might not save cinemas, but it will keep Bond going.

You have to know your enemy. If everyone is an enemy, where's the tension?

Visually, as well as in certain performances, the final instalment of Disneyworld Goes Hollywood has a healthy infusion of surrealism and a sense of humour.

The film bogs down in incomprehensible ya-ya. There are three or four plotlines going off in different directions.

As the film progresses through bouts of selfishness and success, you learn to dislike him more.

This is the best-looking Bond film ever made.

The ultimate catch is that Spectre is no longer the villainous outsider. Their badness is corporate: its core, global surveillance and information technology.

Sadly this doesn’t live up to this promise, although it remains a reasonably enjoyable, if somewhat predictable, action thriller.

Trauma simply fails to engage the viewer's interest.