Search: Starring Nikolaj Coster-Waldau

Its thin, sketchy plot relies heavily on little moments of comedy irony to pull it up by the bootstraps.

Like many an Old West prospector's treasure, while Mateo Gil's movie has a good- looking gloss its substance is more fool's gold that fortune.

Coster-Waldau is a superb lead, distant in the way one would expect of a man going through such a difficult experience, yet compelling.

Maika Monroe is superb as always, showing that she can adapt to pretty much anything and make it believable. Her character is a basket of clichés but she gives her a distinct identity nonetheless.

It is the black comedy that is the real surprise, rescuing Headhunters from both Norwegian dourness and Tinseltown blandness.

While there are plenty of lush gothic flourishes, there are also too many ridiculous horror tropes, but the quality of the acting - especially from child leads Megan Charpenter and Isabelle Nelisse - leads to several genuinely emotional scenes that distin

There’s not a great deal here that we haven’t seen before, but it’s well delivered.

The slow-burning two-hander first half gives way to a revelation-heavy final hour, where every new sub-Shyamalan surprise only confirms how much Oblivion is ripped off from superior sci-fi that knows its game better.

Originally made for a Danish audience, Powder Keg has a lot going for it, including an attention to detail and a nuanced approach to the core issues which is hard to find elsewhere, but it suffers somewhat in translation.

Everything feels contrived, overblown and - perhaps the worst sin you can lay at the door of a psychological thriller - utterly predictable.