Search: Starring Noemie Lvovsky

Where Bus Palladium really scores is in its insight into the sexual culture surrounding this sort of fame.

Self indulgent, nonsensical and soulless scenes are woven together into a sentimental fog that hovers above the surface of a faux world, past and present.

Despite the fine cast, and some striking, color-drained cinematography, A Moi Seule doesn't have enough psychological complexity.

Duse is as much about the rise of fascism as it is about the decision making of an artist at a precarious time in her life.

Diane Kruger has only four days, all at the Petit Trianon, to leave her mark. And she does - a fervent and poignant, half-aware queen.

Despite its considerable length, it avoids overstaying its welcome.

On the technical level, Jacques Girault’s usually hand-held cinematography keeps the immediacy of associated with that choice, but never slips into “chaos cinema” shakiness.

This is a trivial conceit, with a certain charm.

Where the children's stories feel as nostalgically sweet as a Sherbet Dib-Dab and Delpy has always had a good feel for the comedy of discomfort, she fails to hold back and ultimately pushes the adults into caricature.

There are astounding moments of audio visual density that make Scarlet so wonderful a film - especially because we are bestowed with a generosity in spirit and utter lack of prejudice.

Though the events unfold forward, the feel of Summertime is that of a pleasantly painful memory recalled backwards, clutching you emotionally as if you were looking at a faded photo album.