Search: Starring Patrick Wilson

Aquaman is a far from bad way to pass a couple of hours at the cinema

What I most noted the return of was not kings but pacing issues.

Brutally effective in what it does overall, which is fuse western and horror tropes to create a slow-burning, visceral experience that, although not flawless, should ensure fans of both genres are satisfied.

Intrigue peels away to reveal darker, deeper layers of complexity and corruption. The plot explodes.

If it sometimes feels like Wan's falling back on the tricks of the trade, he's also often able to spin something unexpected out of the familiar.

The Conjuring is in its biggest state of non-belonging since its beginning.

Evening has all the advantages one might hope for. It's a shame, then, that it doesn't quite fulfill its potential.

Jeff Kaufman's documentary explores the intersection of the personal, the political and the artistic with a focus on understanding what the playwright always advanced as the most important of human endeavours: communication.

Understanding the flaws in a character who respects the capitalist ideal while denying the danger of outsourcing integrity is a hard sell

Building confidently upon its central twist, Hard Candy is a strong two-hander

What really lifts this, beyond its smart scripting and clever shifts of mood, is its remarkable beauty.

Dropping the demonic angle in favour of a more clichéd serial killer back-story proves a major mistake – it scuppers all ambiguity and feels like a step back from the bedlam of the original.

Bilov's turn is excellent, working well with the rest of the cast to create an air of menace around him that never disappates.

It cannot be denied that Jay Kelly is interested in exploring the human condition through the lens of fame and fatherhood, but the romantic, sentimental, and saccharine tones come with a risk.

Brimming with superb performances.

Overall, this is a disappointment from LaBute.

A considerably flawed, yet visually superb, tale of beauty, beast and love.

This big-screen epic is immersive less for its binocular vistas than for their impossibly grand scale

For an erotic thriller it's pretty short on both thrills and eroticism.

The movie is peopled by characters without boundaries and the cast responds by turning in some of the most extravagant performances this side of I, Claudius.

A sprawling epic of our times – and all times.

The script by Diablo Cody is a real gem, painful and darkly funny throughout.