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The film gets an impressive amount of mileage and you never really feel like it's dragging.

Small of scale but big of heart, Ant-Man And The Wasp is a light and charming outing for a staggering film juggernaut.

It's okay. Relentlessly okay. Non-stop, wall-to-wall okay.

Directors Joe and Anthony Russo use the length to explore more than one significant theme in depth and to shift tone markedly from hour to hour.

Like the advent calendar Rene gives to Michi to count down the days to Christmas, the film holds a surprising number of sweet treats, despite its austere veneer.

Burgundy's ability to survive cockups on an industrial scale is impressive

This is what used to be known in the sixth form lavs as bike shed humour - infantile male gags about the female anatomy, genitalia, show-off swaggering and sexual innuendos, so broad they flatten subtlety and boil boob gags until they pop.

Ant-Man’s weirdness and goofy tangents mean that it’s definitely on its way to alleviating the fatigue of the larger pictures.

Berg's dilemma requires him to try and solve logical and ethical puzzles, and cannot be alleviated through the easy process of having him find Heisenberg likeable.

Silverstone immerses herself in the character of Cher.

At its best early on as it plays the culture clashes.

The alchemy of film means that sometimes this amount of gold can still feel leaden.

Finding out that your girlfriend is leaving you for another man is humiliating enough, but finding out that he's Russell Brand is another story.

The latter part of the movie labours as Reitman aims firmly for the rose-tinted jugular of parents courtesy of cameo appearances that don't sit comfortably within the fabric of the film.

Painting by numbers and staying comfortably within the lines might pass time but I wouldn't call it entertainment.

Ideal Home isn't perfect, but 'lovely' doesn't do it justice.

Ultimately, I felt really good watching it.

Judd Apatow has marked himself out as the leader of the pack when it comes to delivering effortless and believable raunchy comedy.

The best gags, at least for the over 20s, subvert 50s sci-fi movie convention.

A gloriously enjoyable light comedy.

Taking care of business is rarely as emotional, but it's part of Power Ballad's exploration of authenticity.

The end result is a kind of funny/kind of sad character study that asks questions about our relationships with others and our environment.

The plot revelations are interesting and not easily guessed beforehand, making this film more than your simple romantic drama .

There's nowt of substance, or wit to last more than a 30-minute sitcom, but the script's tone is affectionate and likable.

If you’ve ever wanted to see a bagel and a lavash engaging in homosexual activity used as an argument for why Israel and Palestine should just y’know, smoke some weed and get on with each other, here’s your chance!

Danes deftly avoids making her character appear at all weak or insipid, instead showing us a young woman of great courage and agency, in spite of how little control Juliet seems to have over her life.