Search: Starring Ralph Brown

Amistad is one of [Spielberg's] deeply felt niche pictures that won't cause ripples on the stock market because of its uncompromising nature.

Jordan's film stands out as a beacon of humanity.

Long-winded, overwrought and totally without a climax.

'The best view of God is from Hell.' The best view of Exorcist: The Beginning is not at all.

The film is so sentimental, it suffers from soft bone syndrome.

Ultimately more heart-warming and life-affirming than you would ever imagine a film centred on casual violence could be.

Many layers of fascination and enjoyment here and on every level subtleties of perception, not least with the central premise.

The film is so predictable, you could lay bets.

The climax of Adam and Alice’s vengeance becomes so extreme that it veers into black farce. As a thriller it’s tight and gripping enough.

We are plunged into the dark, dank realms of institutionalised racism and all the blood-boiling fury it conjures.

Skins star Jack O'Connell burns up the screen as an initially reprehensible chav terror, all wide-boy grimaces and in-your-face intensity, his gradual evolution into honorable pack-leader etched with care and nuance where it could have been clumsy and cli

Godber's script is as predictable as sleet on a waterlogged pitch.

Richard E Grant's performance is a masterpiece in comic acting.