Search: Starring Robert De Niro

Even De Niro cannot breathe life into a corpse.

The worse RBTV has to offer could not match the mind numbing stupidity of this caper.

Bradley Cooper as Richie gives the finest madcap performance of his career.

David O Russell's latest - a shaggy dog mystery with a deliberate air of penny dreadfuls - could do with more straightforward narrative and fewer screwball convolutions.

Settle in for the Bill & Bob Show. They're back and they're better.

De Niro and Crystal are terrific, none the less, and Harold Ramis directs with assurance.

Besson breaks all the rules and doesn’t get away with it.

With dazzling visual effects and stunning sets, Brazil is a film that you should see on the biggest screen possible.

[Casino] will dazzle and seduce you. The stand-out performance belongs to Stone.

The thriller element is compromised by pot noodle psychology.

Captivating and informative.

With its thinly veiled homophobia and misogyny, you begin to long for the upfront approach of Benny Hill.

It was always going to be a big statement. The curious thing is that it's also a good film in its own right.

The acting alone makes Flawless essential. Schumacher's script is a bonus.

Godawful more like.

This is Scorsese at the top of his game.

It is only after leaving the cinema that questions come bursting to the surface, not that they undermine Dr Niro’s magnificent achievement behind the camera

It’s wobbly on its feet, but it’s definitely got heart.

Mann’s film is a stone-cold masterpiece.

The final twist comes across as amateurish and lazy.

A little light drama with a message for workaholics.

Scorsese shoots at what is truly important in life and does so, miraculously, by putting the spotlight on organised crime

The language is street smart, rather than clever chic and the acting inspires.

Phoenix strips the skin off your eyeballs. What happens next is a gasp away from easy.

As wild as it seems at times, the film is deeply grounded in an emotional truth for each of the protagonists.

It is Scorsese at his, one hesitates to say peak, but absolute.

The nagging thought during the 90 minutes is how far two these one-time Hollywood’s A-listers have fallen.

It's almost as if the project ran out of money or whole scenes were cut to preserve the runtime, as after setting up some juicy ideas, the film cheats us by ushering in conclusions which leave the words 'but how did that happen?' hanging accusingly in the

The pacing never lets up and the action continually tries to outdo itself with its inventiveness.

The story of Stanislas Petrov is one that needs to be told and The Man Who Saved The World is a near perfect telling of it.

A powerful experience, brimming with raw talent.

As painful as a kick in the pants.

The farce is underplayed, which is exactly right.

Cliches are dropped like depth charges into the belly of the life.

It's as though Marshall gathered together all the subplots from films that never got made or were left on the cutting-room floor and sticky-taped them together end on end to create this horror of a holiday centipede.

De Niro’s renowned devotion to the art of acting has never been so tested as it is here.

Suffers from excess in almost every department.

Righteous Kill relies heavily on its two capable leads, but by and large it gets away with it.

Frankenheimer's direction is so flawless and masterful that every frame of every scene flows effortlessly.

The film seems to be building to a confrontation between the actors but instead you get the credits. And given the fine cast, this lack of a Third Act is a major mistake.

The creative spark lights no fires in this crib.

Never less than watchable and consistently entertaining, but the need to push gags too far keeps tripping it up.

Russell impressively couples gambling strategies with self-help mantras to expose the machinations of searching minds who don't know how to flee the ugly banal lives of most common betrayals and economic anxieties.

A really enjoyable yarn in the Princess Bride mold, told with panache.

This is an extraordinary film. De Niro in the central role delivers one of those powerhouse performances that simply blows the audience away.

Inspires a feeling of awe.

The humour is knuckle-to-knuckle, accurately sending up the media's hunger for a story, any story.

It’s the cinematic equivalent of Morris dancing: there’s lots going on, it’s entertaining enough – but you’re not entirely sure what the point is.