Search: Starring Rufus

Jeunet has such an imaginative approach to film that he creates an atmosphere of magic.

A good example of the contents of tins doing exactly what they say.

All fur coat and no knickers.

Large's rather flat directorial style doesn't give Baylis much to work with.

Basinger can't run. Her acting is lame as well.

The intelligence of the writing and the intensity of Ryan Gosling's performance takes it out of the shock horror budget bin.

This is a work of originality without precedent, unique and unsafe.

What [director Proyas] does here is juggle genres and lop the dead cells from the brains of old cliches.

A stylish and engrossing mystery - an immature, yet energetic explosion of storytelling ideas.

Zeller elegantly and scarily fuses dream logic with markers of past trauma.

The end result could do with less tangent and more of the gent himself.

Todd Solondz's investigation into the suburban psyche is so disturbing, it's funny, although when humour slides into the realms of nightmare, laughs congeal in the throat.

The Holiday is a romantic comedy. You know what that means.

Marshall Herskovitz, who made Legends Of The Fall into a remedy for insomnia, directs from the sitting position.

The strength of the film is its ability to suspend disbelief and engage the audience with its mastery of mystery.

This is a mainstream consideration of Garland's life but Zellweger brings fine art to its more broad brush moments.

What matters more is whether this mixture of stunt riding spectacle and tongue-in-cheek works. Surprisingly, it does. Almost.

Once the action starts in earnest and the stunt doubles do their thing, the film is entertaining enough, although when Zorro leaps from a high rock onto the roof of a moving train, you do worry about the horse.

Emotionally electric and so deeply felt, Lian Lunson's infuriatingly artsy documentary style fails to dilute the privilege of the experience.

A hug of a film which, despite being set in a sun-kissed fairytale style Marseilles, is perfect for those looking for a feel-good outing that's suitable for all the family in the run-up to Christmas.

The comedy rests. In fact, it goes to sleep.

The production is flawless and the acting a joy. It

Its hyperreal colours and iconic tableaux ooze retro chic.

Elegant and gripping but perhaps just a little genteel.

For a debut this shows impressive grasp of a variety of locations, even that whole 'children and animals' thing.

For all its visual skill and mostly good performances, this is a tiresome, dull film.

Plays out like a high spirited seasonal version of Threads.

The performances by Steve Coogan (Stan) and John C Reilly (Ollie) are above and beyond the call of duty. They give the film heart.

This isn't the Thomas we loved when there was nothing else to watch

There are moments of distress, high tension, but there's never much doubt that there will be a happy ending.

Overall, this comes across as a movie which has been compromised to death.

This is not the despotic kingdom of Rambo but something worse, increasingly alien, a murky desperate Myanmar.