Search: Starring Sam Louwyck

Gourmet is phenomenal as the shopping centre aficionado who makes us understand a little more why the world is in the state it is in today.

The film has soul rather than unity of purpose.

Groeningen completely sells us the world of the bar, his immersive tracking and handheld camera leading us into the melee where coke and hedonism are served straight up and the music pounds to be let into your bloodstream.

As gratuitous and confrontational a story as you’re likely to come across.

Depends on a sense of inevitability, of the weight of impending doom that is as much moral as corporeal.

It's a far from perfect film, but it's a lot better than the critical consensus suggests, and at the heart of it is a fascinating character study.

There’s a sweet, melancholy flavour to Clapin’s work.

Production designers Manolito Glas and Maarten Piersma do a stunning job with the sets, creating an atmosphere of sleaze and decay which one can almost smell, whilst layering in detail.

Sumptuous costuming and production design, together with Yoshi Heimrath’s lucid cinematography, make this a feast for the eyes.

As entertaining as the above is with its two charismatic leads, it is not an especially novel path for a 'crime couple' thriller to take, and it is in the last act that Racer kind of goes off the rails.

For all that its often said "they don't make them like they used to" this is very, very close.

The dystopian stories in Spanish director Chino Moya's feature debut nest within one another like a series of Russian dolls - dolls that have been carved by someone with a soft-spot for JG Ballard.

Wisdom is quiet and the future a mystery