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Like vintage Egoyan, and the better for it.

More often than not, when emotion is called for, Michael Konyves lays on the scripting far too thick.

Egoyan has made an edgy and contemporary psychological thriller.

Cronenberg, a seemingly gentle soul on the surface, remains tortured by the possibilities of technology and how it may tear us apart.

Feels like the real thing.

The plot swithers this way and that.

A rather dull action Western.

The performances break your heart, not because the subject matter has a built in Love Story factor, but because they are so good.

Seemingly aware of its narrative limitations, director Quílez invests this film with a depth of character and intense sense of place that lift it above most other entries in the genre.

Dunham is constantly looking for laughs and does deliver quite a few, but you never fully believe these people are living in the real world.

Bertino introduces a parade of cardboard characters whose psychological reflexes only extend to squealing when something goes bang.

Delivers in spades what the first film only hinted at.

Absense of personality leaves Beckinsale's character in a limbo, where sex appeal is not the same as charisma.

Instantly forgettable but enjoyable enough.