Search: Starring Steve Coogan

What the film achieves, better than any other rock music movie, is how unorganised and stupid so much of what went on behind the scenes was.

The film trundles along quite merrily without much plot, easily driven by the tension of the original premise.

That the whole thing works so well is a tribute to the po-faced matter-of-factness of the approach and the exuberant charm of the execution.

The film's charm is the feeling of spontaneity and randomness.

A magnificent 90 minutes of slapstick silliness.

Good enough.

Roos, as a writer, has a flair for comedy, but he could do with someone else on board as director to rein him in.

Formulaic but exuberant, packed with quirky humour and very difficult not to like.

Ideal Home isn't perfect, but 'lovely' doesn't do it justice.

Line after line proves infinitely quotable... suggesting cult status as well as critical acclaim beckons.

This is a serious and entertaining character study - stripping down the lives of Soho and Raymond - that has the looks and acting talent to win over a crowd.

You could argue it's a bit broad but then charming crowdpleasers often are.

Minions is very funny.

With its genuine Versailles locations and sumptuous costuming, Marie Antoinette is a feast for the eyes.

The film’s biggest strength is its imaginative special effects.

The special effects are truely magic

Newcomer Langridge does an excellent job of making John grow up through the course of the film, subtly moving him from mouse to man through a gradual increase in confidence.

Wahlberg, perfect in his role, has fun sending up his macho persona.

Coogan and Henry Normal's script is full of invention.

This is an entertaining time passer which should keep the kids happy.

Coogan is well cast in this tricky role, moving easily from humour to heartbreak..

This will have even the bitterest viewer sobbing into their popcorn.

The performances by Steve Coogan (Stan) and John C Reilly (Ollie) are above and beyond the call of duty. They give the film heart.

A family movie of considerable appeal.

The Trip is a big costume drama without the costumes.

When the freshest food is eaten by rotting mortals and family is little more than a fragile crutch above the abyss, funny jokes can no longer hide the tragedy.

Sadly, despite plenty of obvious effort and passion, this film is not as hilarious as the early clips suggested.

Directed with wit and panache by Scott McGehee and David Siegel, written by Carroll Cartwright and Nancy Doyne, Maisie stays true to Henry James's two-part essence.