Search: Starring Tom Hardy

Tom Hardy makes other movie hardmen look like they belong on the Muppet Show.

The ingredients are here, jumbled up, too confusing to fit the restrictions of a single screenplay

Ridiculous doesn’t quite cover it.

One can't help but think that there's a great film in there struggling to get out.

Bob may have the beefed up body of a bouncer but Hardy continually emphasises his softer, hesitant side, his body language screaming flight even though he is built to fight.

This is not just a war film. It is an artistic triumph.

You will no doubt need to see Inception more than once to appreciate every nuance of Nolan's carefully balanced ambiguities – but, more importantly, you will also want to.

Road movies come with clichés attached. Thanks to dialogue that strips convention to the bone, they have no effect here because they wouldn’t survive the verbal onslaught.

Compelling stuff.

The fast pacing allied to some dark humour and a few absurd moments certainly makes for entertaining viewing, even though over time you keep waiting for the film to hit some deeper note.

The latest piece of gangland roughage is suitably violent, with a who-gives-a-monkeys attitude.

It's like a suicide. And there's nothing to look at

Baroque-n-roll does not begin to describe the petrol-headed delirium on offer here.

Filled with information and inspiration that elegantly carries over from the last century into this one.

Entertaining and stylish.

Times are tough, women are either chattels or the stuff of magical realist dream sequences and dialogue is frequently cut adrift in favour of animalistic grunts and muscularity.

Light and dissatisfying.

The story requires a brain transplant. It's not complicated, so much as lost in the land of Loony.

The cool colours and muted emotions of this John Le Carré adaptation fit the 1973 Cold War backdrop perfectly and are appropriate for the murky world of moralistic shades of grey.

In an era of almost infinite possibilities for entertainment, Venom isn't one to recommend.

O'Connor and cinematographer Masanobu Takayanagi lay on some visceral bouts in the ring, thoroughly exploiting the fact that mixed martial arts makes for a less predictable combat sequence than a boxing match might.