Search: Starring Uma Thurman

Every scene is brilliantly realised and inhabited by unforgettable characters.

Essentially a celebration of glorious selfishness.

The only flair exhibited in Be Cool belongs to the set designer.

This is a fantastic chance to see some of the industry's greatest talents at the top of their game.

The oddities don't add up to anything and the love story between Adam and Helene is as predictable as it is sad.

If you’re looking for big-budget, popcorn entertainment, then Titans certainly won’t disappoint.

As the story glides gracefully from pitch-black comedy to complicated tragedy, you are in no doubt this is a film which happened at the right time in the careers of its two central stars, and for cinema.

The design has a stainless veneer, bathed in early morning light.

Everything you expect from Merchant Ivory is here.

Dillon makes a fair fist of the role of Jack.

Kill Bill is, ultimately, a throwaway film, a popcorn classic, fun but forgettable - yet it knows this, and goes about its business with a rare energy.

The work of a consummate fanboy, who continues to show little sign of being willing to engage with the world beyond the movie screen, or otherwise mature as a filmmaker.

If it wasn't for Neeson, this would have yawned itself into unconsciousness.

This is ‘day from hell’ territory, but none of the comedy rises to the occasion.

At heart a deeply misogynistic view of female empowerment.

It's a film that goes out of its way to provoke and disappoint, but to those who get its jokes and can cope with the rest, it's a delight.

Simply put, the viewer is constantly tempted to attribute the character’s old man’s ramblings both to the author of the source novel and to the filmmaker adapting it.

As a punch-em-up, Paycheck is well done, but nothing we haven't seen before.

This is an entertaining time passer which should keep the kids happy.

Streep is terrific, Thurman is aglow and Greenberg is a real find.

With the exception of the Springtime For Hitler numbers, the melodies are weak and interchangeable, although the lyrics are clever, which is not to say memorable.

Excitement shivers through each scene with quirky, individual peculiarity.

The nostalgic delight of this movie is due partly to Santo Loquasto's production design and Laura Cunningham Bauer's costumes, both of which are outstanding.

The fascination of Tape is in the performances and with the language, how words dance around truth, mocking it.