Search: Starring Val Kilmer

No film by Herzog has ever been so defiantly mainstream – and yet at the same time this remains one of the director's craziest, most outlandish affairs.

The incomparable Denzel Washington gives another of his thoughtful, sensitive performances that carries a surplus of the dignity gene.

Stone emphasises the loss of innocence to an extent beyond credibility.

Fawns completes the troika with a ringing emotional pop.

Mann’s film is a stone-cold masterpiece.

Usually with a comedy you're lucky to get one genuine laugh-out-loud moment. Kiss Kiss, Bang Bang has at least half a dozen.

Plotting is afoot, so that the spirit of the Eighties is embraced and royally sent up.

The Missing is an entertaining film, but it feels overlong at 130 minutes and Maggie is so saintly and cold that it's hard to fully engage with her.

If there's a wish for more in Palo Alto, it's largely because what is here works so well.

As a directorial debut, the film is patchy, but intense.

The film looks wonderful, but suffers from its own ambition.

Some films need to be watched alone. This is one of them.

Despite some dodgy plotholes and remarkable coincidences, the film is genuinely exciting.

There are a number of familiar horror tropes here but they intersect in ways you might not expect.

Another victim of the style over substance genre.

Cruise, the cheesy soundtrack and the stunning aerial photography that marks out its combat scenes are its three main selling points.

Cruise, doing many of his own stunts, owns the territory with stellar charisma.

Lucas and Howard's often-dark adventure is still an enjoyable sword-and-sorcery tale.

Stylistically the film is a bit of a mess, frontloading with all sorts of showy technique but then settling down into a more talky, actor-dominated approach.