Search: Starring Valeria Golino

Directed by Olivier Marchal, an ex-cop himself, the film looks terrific.

At 86 minutes it absolutely whips along, but still finds time for dozens of moments of genuine beauty.

Beautifully lit, Daughter Of Mine conjures up a tremendous sense of place, all salt breezes, scrubland and golden sand.

Degenerates into a haphazard mish-mash of special effects, action set pieces and largely pointless cameos.

This is a movie layered with meaning. A lipstick smudge turns into stigmata, a kiss can make you float and strangle you at the same time.

Paolo Virzì's study of capitalism in crisis gives the audience all it covets.

Penn had a definite feel for the incidental details and the everyday rhythms of small-town life.

Cage and Shue transform [their characters] into believable people you feel you could talk with - transcending the usual boundaries of the screen and your heart.

It is gorgeous, both to look at and to listen to. It's perhaps Larrain's most accessible film, though that's as much to do with its star as its subject.

What could have been a traditionally lavish costume drama has been pared down to highlight the erotic tension and sensuality

With its simple plot and gentle pacing, Quiet Chaos relies on character and performance to keep viewers interested, and for the most part it pulls it off well.

You feel the heat of the rocks, the sensuality of cotton, the valiant isolation and the disregard of rules.

This is not a great film. It is not a terrible film, either. It is a long film.