Search: Starring Vincent D'Onofrio

Has a brooding and moody power that makes up for what it lacks in originality.

By avoiding the cliche of tart-with-a-heart, Kerrigan dives into the murky depths of psychological motivation

The film is not dedicated to the NRA although it should have been.

Alternately hilarious and touching.

The real and the performed run so close together that, by the end of the film, it's not entirely clear if even Tammy knows where one ends and the other starts.

Despite admirably attempting to appear otherwise, Miles Chaplin and Jason Keller’s script is transparently stoopid, but mostly in the best way.

The film covers all the bases and yet fails to hit a home run

It’s nonsense. Tolerable nonsense, but nonsense nonetheless.

The John Ford cliches clang against the Sergio Leone sloppy seconds with the hollow ring of a church bell.

A bit biased.

Pain has a price

You could be forgiven for wondering if Sinister is based on a true story.

Bigelow delivers a neo noir that hides its hope and redemption under a throbbing veil of paranoia, tension and adrenalin.

The setting may be small-town, but this is a vision in microcosm of a whole nation that has been driven inevitably towards anxiety and unease by self-imposed pressures and impossible aspirations.

For all its black humour, sexiness and intrigue, The Winner is lacking something in the final analysis.