Search: Starring Ving Rhames

The movie resembles ER on speed. The hospital... is like a war zone.

The direction is different, but appropriate.

Feels like the real thing.

Entrapment is a thriller so light it floats away into that place where a 60-year-old bloke is as agile as a chamois and a girl who works in insurance doubles as an international art thief.

It is the closest thing to an artistic masterpiece in the field of computer generated optical illusion.

It's a stodgy interpretation of something that wasn't that fresh to begin with.

The testosterone, sweat and fag-smoke ambience of a New York precinct house is so well-realised that you might want a shower afterwards.

The script is sharp and witty, but, like the big waves, comes and goes.

If anything the potential dangers of AI are even more in the news now than when the film was shot, making it feel bang up to date.

Open your eyes. Admire the death defying artistry.

It is to Tom Cruise's credit that the sequel is infinitely better than the original.

Abrams combines kinetic action sequences with internal logic-fuelled storytelling to give us an impossible mission head, shoulders and a rabbit's foot above the previous two instalments.

It’s certainly all very timely and apposite

Even Jim Carrey couldn't get away with a plot as daft as this and since it's based on an Elmore Leonard novel, you wonder whose to blame.

Natasha Richardson gives an intelligent performance that captures the intensity of her fear, without losing touch with the humanity of a situation that involves other women with different agendas.

Piranha 3DD is a floating turd of a film that deserves to sink without trace.

Excitement shivers through each scene with quirky, individual peculiarity.

Surrogates develops into a glossy thriller that looks and acts just like the real thing.

The film mines a lot of clichés but manages to do something a little different with them, blending traditional elements of children’s fiction with a distinctly 21st Century sensibility.