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Toy Story may be the first computer generated full-length feature, but it is also as close to perfection as it is possible to be.

The undersevens will love the characters and not search for deeper, darker meaning.

This one's a little bit more for the kids, as far as funny goes, but if that's a bit of a turn off, think of it as a good way to introduce youngsters to an important part of British history.

This might be familiar fare, but Fumihiko Sori and his team pull it off with sufficient visual aplomb to keep things highly entertaining.

A charming pastiche of the whole SF genre.

A dreary, cynical exercise in the marketing of cuddly toys.

The Thornberrys are a cartoon, of course. Their animation is less important than their sense of humour.

While having so little money may, paradoxically, have liberated Bakshi from studio interference, this freedom allows him to indulge in ideas that are, metaphorically and otherwise, away with the fairies.

Unique in humour, unique in form

Pure joy from start to finish.

Folman's use of animation permits an audience to engage with the events, such as they are recalled, in a way that the simple testimony of those involved could not achieve.

Attempting the fusion of psychological damage with cartoon sentimentality results in a mixture of what might have been and what doesn’t work any more.

The most comprehensive account of World War Two ever seen on film.

The whole thing is essentially an extended advert for the Yu-Gi-Oh! games range.

Although the narrative beats don’t sear with originality, it is clever and has enough nuance and ambiguity to keep folks guessing right up until the finale, with a cast of characters throughout that are a genuine treat.

It's the film's sheer lack of charm that proves terminal.