Search: Directed by Park Chan-Wook

Park does it the hard way, building up a complex psychological and intellectual relationship in which sexual desire feels like an emergent characteristic rather than a starting point.

One of the film’s leading forces is its stunning visual composition.

Chan-wook Park has crafted perhaps the most original film of the year and one of the most moving.

Again and again Chang-wook and his cinematographer, Jeong Jeong-hun, deliver scenes and frames of singular cinematic style and beauty.

Park keeps inviting us to laugh, then forcing us to confront what, exactly, we’re laughing at.

A film both extreme and tender, yet tremendously entertaining.

Korean sensibilities have dispensed with their protective shield.

The heightened sense of India's reality is mimicked by Park's style and Miller's creations, who are pushed into the realm of melodrama and perilously close to caricature in pursuit of gothic thrills.

Park presents familiar vampiric tropes in a fresh and interesting way.

While the three Twilight Zone-style movies - Dumplings, Cut and Box - are not without merit, they are far from satisfying or truly terrifying.