Search: Directed by Richard Donner

The concept of 16 Blocks is nothing new... Unfortunately, the concept outweighs the result.

Donner's era-defining adventure is at once lighthearted, serious, scary and lots of fun.

Gibson’s got intensity on tap, balancing internal grief with edgy energy and natural comic timing for the performance of his career.

It’s not as dark as its predecessor and there’s more emphasis on guns, explosions and car-chases – but if you’re going to make an over-the-the-top actioner, this is how.

By going bigger, faster and louder than before, Lethal Weapon III doesn’t hit the same highs.

The real plot doesn't start for almost an hour and when it does is less interesting than a Roger Moore 007 caper.

A scene where Riggs challenges a school shooter is disturbingly relevant even with 40 years of distance.

Despite his illustrious career, Peck has never bettered his performance as the tortured father, torn between duties to his family and to the wider world.

Richard Donner shoots the film as a supernatural fantasy and gives it a superior shine.

Remains unbeaten in terms of influence and iconic moments.

Without the shackles of an origin story, Superman II soars into action straight away.

The continuity is shaky (what do you expect?), but the new material is more adult, less camp and with a devotion to character and logic that Lester’s just didn’t have.

Proof that when you combine a great premise and a talented director, you don't necessarily strike gold.

Twinky starts off brightly, with a light-hearted and bubbly script... unfortunately, the film soon goes off the rails.