Search: Directed by Wim Wenders

Showcases the venerable maverick’s directorial style at is best and its worst.

The character of the players, the vibrant energy of the music, the faded grandeur of a city spared the vanity of restoration gives the film a unique quality.

No one is quite who they seem, which suits the peculiar Californian unease that comes with bad air.

This is toxic masculinity masquerading as boredom, with Wenders' refusal to give it emotional adornment only adding to the sense of existential strangeness of the whole affair.

Once the story begins to hurtle along towards its conclusion, much of its early cheapness is forgotten.

Wim Wenders films this dysfunctional love story in a tricksy cinematic manner, adding another layer of pretension to the already overloaded dumpster.

German director Wim Wenders allows Paris, Texas to unfurl with such assured calm that each delicate narrative revelation, no matter how trivial or terrible, seems a natural and almost obvious progression.

The 4:3 format, preferred by Yasujirō Ozu, is the perfect frame for paying attention to the small mysteries that are often overlooked.

If you see one dance film in your life, see this one with those 3D glasses.

The insightful and intimate interviews Wenders conducted with the Pope are interspersed with footage of his extensive travels that show the meaning of his words.

Wenders as a curious, excited filmmaker stretches out his hands to show us all the treasures he has found.