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Reviews by Edin Custo

Order by: Date, A–Z

  • The River Train (2026)
    Review preview for The River Train

    The River Train lets language do what plot will not always do, it gives a child’s abstract longings a body.

    Edin Custo · 4 out of 5
    Nine-year-old Milo lives in a remote Argentinian village where he studies the Malambo, a folk dance full of bravura. He is an excellent dancer, but Milo’s only desire is to escape the countryside on a train for the Buenos Aires of his dreams.
  • Sentient (2026)
    Review preview for Sentient

    It doesn’t posture about whether primates are sentient. It treats that as the baseline fact, then asks what kind of civilisation keeps behaving as if it isn’t?

    Edin Custo · 4 out of 5
    An investigation into laboratory research on animals exposes a hidden world in which it’s not just the animals getting hurt. The story of Dr. Lisa Jones Engel, a primatologist turned animal welfare advocate, asks whether harming animals and ourselves in science’s name is justified.
  • Solomamma (2025)
    Review preview for Solomamma

    A predictable trajectory to an inevitable end.

    Edin Custo · 2.5 out of 5
    When a single mother discovers the identity of her sperm donor, her pursuit of truth blurs the boundaries between love, ethics, and self-deception.
  • To Hold A Mountain (2026)
    Review preview for To Hold A Mountain

    Filmed over seven seasons, the co-directors make time tactile.

    Edin Custo · 5 out of 5
    In the remote highlands of Montenegro, a shepherd mother and daughter proudly defend their ancestral mountain from the threat of becoming a NATO military training ground, stirring memories of the violence that shattered their family.
  • A Useful Ghost (2025)
    Review preview for A Useful Ghost

    The comic relief goes a long way to diffuse the intensity of the emotional gravity.

    Edin Custo · 4 out of 5
    March is mourning his wife Nat who has recently passed away due to dust pollution. He discovers her spirit has returned by possessing the vacuum cleaner. But to become a useful ghost, she first needs to get rid of the useless ones.
  • Versalles (2025)
    Review preview for Versalles

    Clariond is less interested in political intrigue than in what happens when a wounded ego with power is left alone with his own myth.

    Edin Custo · 3 out of 5
    A fallen politician and his wife reinvent themselves as monarchs, taking inspiration from Louis XIV, the Sun King.
  • We Are Aliens (2026)
    Review preview for We Are Aliens

    Small movements – the awkwardness of a child shrinking into himself, the hesitation before speaking, the forced confidence of fitting in – gain an almost painful realism.

    Edin Custo · 4 out of 5
    The story follows Tsubasa, a quiet boy, and Akitarō, a child prodigy. Jealousy and misunderstanding sever their childhood bond. Years later, as their lives take different directions, each must make a decision when the weight of the past resurfaces.
  • We Are Stardust (2026)
    Review preview for We Are Stardust

    Rasmussen understands that what makes this quest cinematic is not merely its oddity, but its scale.

    Edin Custo · 4 out of 5
    Story of a hobby scientist who believed it was possible to find stardust in unlikely places on Earth.
  • What Will I Become? (2026)
    Review preview for What Will I Become?

    It does not explain trans pain from the outside. It sits with it, listens to it, and tries to make room for it without exploiting it.

    Edin Custo · 4.5 out of 5
    Kyler Prescott and Blake Brockington were just two high-profile examples of approximately 50% of trans boys in the US who did not survive a suicide attempt. This film highlights the importance of combating prejudice and prioritising prevention among trans youth.
  • Where To? (2026)
    Review preview for Where To?

    Where To? keeps mistaking centrist posture for moral courage.

    Edin Custo · 2 out of 5
    A middle-aged Palestinian Uber driver forms a bond with a young Israeli who becomes a regular passenger.
  • Why Do I See You In Everything? (2026)
    Review preview for Why Do I See You In Everything?

    The ethic is visible here. It is wary, careful, never neutral, and when violence becomes overwhelming it turns toward time, toward breathing, toward gestures of care rather than spectacle.

    Edin Custo · 4.5 out of 5
    Two friends drift through dreams and memories, searching for tenderness amid unending cycles of violence.
  • Yellow Cake (2026)
    Review preview for Yellow Cake

    Yellow Cake’s clunkiest habit, exposition as explanation rather than drama.

    Edin Custo · 2 out of 5
    When radical science backfires, miners and researchers confront apocalypse.
  • Yellow Letters (2026)
    Review preview for Yellow Letters

    What the narrative wants to test is the cost of principled resistance when you have a child to protect

    Edin Custo · 2.5 out of 5
    Life is good for Derya and Aziz, a celebrated artist couple from Turkey, until an incident at their play’s premiere. Suddenly targeted by the state and struggling to balance their ideals with life’s necessities, their marriage is pushed to a breaking point.

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Paul Rowley on moving to New York, the Pulse massacre, and Gays Against Guns

Going ape Antonin Niclass on character creation, empathy and animated short Into The Forest

Freeform Will Niava on grief, new immigrant experiences and Jazz Infernal

In silence Emir Kumova on child marriage in Türkiye, moral challenges and making The Witness

Taking a ride into liminal spaces Katharine Round on making documentary Ghost Town

Flying blind Michael Woloson and Scott Tinkham on improvisation, experimental writing and Littermates

In deep water Dominic Curran on internet overexposure and A Little Learning Is A Dangerous Thing

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