Anne-Katrin Titze lives in New York City, where she is a film journalist and lecturer on fiction, fashion and fairy tales. She curates and moderates talks with filmmakers and panel discussions at Universities and cultural venues.
Anne-Katrin is a New York State Department of Environmental Conservation licensed Wildlife Rehabilitator and when she doesn't chase leopards, she rescues urban park wildlife and speaks out for the protection of their habitat. See Working Towards Change for more details.
We have 391 reviews by Anne-Katrin Titze in the database:
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The way Zischler and Hüller play their relationship is so wonderfully real and subtle and appropriately opaque for all us non-Mann family members, that it at times brought tears to my eyes.
Drama focusing on Thomas Mann's post-war life, as he and his daughter embark on a road-trip across Germany.
This is a movie layered with meaning. A lipstick smudge turns into stigmata, a kiss can make you float and strangle you at the same time.
Gioia is a high school teacher who has never known love beyond the suffocating grip of her parents, with whom she still lives. Her life shifts when she encounters Alessio, a student who uses his body as a means to get a few hundred euros to help his struggling mother.
Duse is as much about the rise of fascism as it is about the decision making of an artist at a precarious time in her life.
Eleonora Duse’s legendary career seems over, but in the ferocious times between the Great War and the rise of fascism, the Divina feels a call stronger than any resignation and returns to where her life began: on stage.
Burch and Jones clearly enjoy updating rich kid Myers and his literary salon pals to the present without ever falling into clownish cliché.
Ed Saxberger, a forgotten New York poet, works in the post office. After an eager and flattering young admirer appears on his doorstep, Saxberger is beckoned into a coterie of twentysomething admirers who anoint him as a rediscovered genius.
The lives mirror each other, build on each other, contradict each other, haunt each other.
Four girls, Alma, Erika, Angelika, and Lenka, each spend their youth on the same farm in northern Germany. As the home evolves over a century, echoes of the past linger in its walls. Though separated by time, their lives begin to mirror each other.
As is true of many a tale, not all motivations are on the table right away, and finding rescue and respite with strangers can only last a mere while.
On a weekend trip to the countryside, Laura miraculously survives a car crash. Physically unhurt but deeply shaken, she is taken in by a local woman who witnessed the accident and now cares for Laura with motherly devotion. When her husband and adult son also give up their initial resistance to Laura's presence, the four of them slowly build up some family-like routine. But soon they can no longer ignore their past...
Marcelo is at home in the fine tradition of flicks where the fact that they are an agent is mainly a secret to them.
Brazil, 1977. Marcelo, a technology expert in his early 40s, is on the run. He arrives in Recife during carnival week, hoping to reunite with his son but soon realises that the city is far from being the non-violent refuge he seeks.
