A more compelling no-holds-barred insight into the racism at the heart of British society and the nature of power than many less talented filmmakers might achieve in a six episode drama.
A man on the verge of becoming the UK's first black prime minister faces a difficult confrontation.
If this sounds bad enough to be entertaining, that's true in places, but for most of the running time there's nothing to watch except a group of people sitting around bitching at each other.
A gang of vengeful women's plot to massacre corrupt monks comes unstuck when marauding Vikings arrive with demons on their tail.
Ridley doesn't force things, allowing his film to become a quiet testimony to the social impact of tough economic times that take an often unseen toll on families and small communities like this.
Snapshot of a family living on Shetland's Out Skerries.
Jurkiewicz drinks in all the life the village offers, almost imperceptibly soldering her own connections between the external environments and the internal, the women and the men, the traditional and the unexpected.
In a quiet Hungarian village, men gather to swill beer at the bar. Meanwhile the women are busy at work manufacturing something unexpected.
The line between horror and humour is at least as thin as that veil between the worlds, and crossing it can bring all sorts of things back. This is one of them.
Haruka, Nana, and Takanori visit the house of Souta, a band member who has lost contact with them. But when they arrive, they find Souta's behavior a little strange.
