My hometown
by Anne-Katrin Titze
Kent Jones on the casting and soundtrack in Diane
Bite sized treats
by Andrew Robertson
We look forward to the Glasgow Short Film Festival
Music legends
by Anne-Katrin Titze
Dennis Bovell on style, substance and scoring Babylon
All is not lost
by Anne-Katrin Titze
Susanne Wolff and Wolfgang Fischer on shooting Styx on the high seas
Within the imagination
by Anne-Katrin Titze
Emmanuel Mouret on Diderot, Pierre-Jean Larroque's costumes and Lady J
Memory and identity
by Anne-Katrin Titze
Christian Petzold on Franz Rogowski and the language in Transit
On French cinema
by Anne-Katrin Titze
At the Rendez-Vous With French Cinema with Serge Toubiana
The beat goes on
by Jennie Kermode
GFF Diary days 11&12: Beats, Frightfest, Michael Palin, Vicky Knight and terror in the woods
A real joy
by Anne-Katrin Titze
Kyle MacLachlan on high school acting and playing a father in Giant Little Ones
That Friday feeling
by Jennie Kermode
GFF Diary days 9&10: Jessie Buckley, Claire Pijman, whisky and Frightfest
All in the game
by Jennie Kermode
Søren Juul Petersen on games, gore and Finale
Beyond the Valley
by Jennie Kermode
GFF Diary days 7&8: Peter Howson, Adam Pearson, Carol Morley and a little bit of time travel
Body of work
by Anne-Katrin Titze
Adina Pintilie on Einstürzende Neubauten and Touch Me Not
Life in movement
by Amber Wilkinson
Icíar Bollaín and Paul Laverty on bringing Carlos Acosta's biopic Yuli to the screen
Who ya gonna call?
by Jennie Kermode
GFF Diary days 5&6: Roxy Toporowych, the Margaret Tait Award and a spot of ghostbusting
Inside his head
by Jennie Kermode
Billy Senese on psychiatry, horror, The Dead Center and building stories through sound
All abuzz
by Jennie Kermode
GFF Diary days 3&4: Carlos Acosta, David Dastmalchian, busy bees and a trip inside The Matrix
Ready, steady, go!
by Jennie Kermode
GFF Diary days 1&2: Mid90s, Matt Bomer, Mark Millar and a date with Priscilla
Drawing inspiration
by Anne-Katrin Titze
Batsheva Hay in conversation on Little Women, Wuthering Heights, and establishing relationships with actors
On the level
by Jennie Kermode
Danishka Esterhazy on telling women's stories in genre films and Level 16
Paradise lost
by Anne-Katrin Titze
Clément Cogitore on Braguino the film and installation
Unnatural pleasures
by Jennie Kermode
Nicolas Pesce on working with Christopher Abbott and Mia Wasikowski and channelling Hitchcock in Piercing
A date with darkness
by Jennie Kermode
Adam Christian Clark on the horrors of the dating scene and making Newly Single
Body and soul
by Anne-Katrin Titze
To Dust post-screening discussion with Géza Röhrig, Shawn Snyder, and Jason Begue
Shared humanity
by Anne-Katrin Titze
Shawn Snyder on Matthew Broderick, Géza Röhrig and To Dust
Year of the Pig
by Anne-Katrin Titze
Géza Röhrig on scripts, dybbuks and working with a porcine professional in Shawn Snyder's To Dust
The essence of Freddie
by Jennie Kermode
Jan Sewell on Rami Malek, Gwilym Lee and the make-up for Bohemian Rhapsody
Reading the city
by Anne-Katrin Titze
Christian Petzold on Alex Brendemühl, George Romero and Transit
Thrillseeker
by Jennie Kermode
Patrick Kilpatrick on doing stunts, working with Tom Cruise and Christopher Walken, Night Walk and Active Shooter
Pinpointing Palach
by Jane Fae
Director Robert Sedlácek on his film about the Czech national hero.
Humanist ideas
by Anne-Katrin Titze
Morgan Neville on the humanist ideas of Fred Rogers and the title Won't You Be My Neighbor?
Doing the right thing
by Anne-Katrin Titze
Desirae Brown on creating music, activism, childhood and The 5 Browns: Digging Through The Darkness
Inspired by science
by Anne-Katrin Titze
Eliza McNitt on Jessica Chastain, Darren Aronofsky and her VR experience Spheres
Wish you were here
by Jennie Kermode
Lin Shaye on The Final Wish, character creation, horror, comedy and The Grudge
The myth and the dream
by Anne-Katrin Titze
RaMell Ross on Hale County This Morning, This Evening and the influence of Apichatpong Weerasethakul
Piercing sincerity
by Anne-Katrin Titze
Morgan Neville on Fred Rogers and Won't You Be My Neighbor?
Good at being bad
by Jennie Kermode
Patrick Kilpatrick on Nicolas Roeg, Steven Spielberg, Sean Connery and his career as a villain
Piecing it together
by Anne-Katrin Titze
Luke Davies on the evolving scenes and editing in Felix van Groeningen's Beautiful Boy
Real-life fiction
by Anne-Katrin Titze
Chloé Zhao and Brady Jandreau on the script, sound design and horses' eyes in The Rider
In reflection
by Anne-Katrin Titze
Wash Westmoreland on Guy de Maupassant, Citizen Kane, Colette and The Earthquake Bird
