Eye For Film >> News & Feature Stories >> Feature Story Archive

Growing side by side
by Anne-Katrin Titze
Susanne Wolff and Wolfgang Fischer on Styx, Charles Darwin and swimming against the current
Sticking with it
by Jennie Kermode
Mel Novak on Game Of Death, Dan Aykroyd, Steve McQueen and what he's doing today
Marielle - the passing of a French legend
by Richard Mowe
'Voice' of a generation of acting talents dies at 87
A certain kind of energy
by Anne-Katrin Titze
Celine Danhier with Ed Bahlman on the filmmakers and music in Blank City
Deconstructing oppressions
by Anne-Katrin Titze
Eva Husson on Girls Of The Sun and Martha Gellhorn
Handcrafting from scratch
by Anne-Katrin Titze
Cindy Hulej on Jim Jarmusch and Carmine Street Guitars
Reinventing herself
by Anne-Katrin Titze
Mia Hansen-Løve on Bergman Island, ghosts and Maya
Something magical
by Jennie Kermode
Jason Barker on gender, spirituality and A Deal With The Universe
Tribeca Film Festival early bird highlights
by Anne-Katrin Titze
Flesh Out, Driveways, Halston and Luce
Raising expectations
by Jennie Kermode
Jason Barker on filming his attempts to have a child in A Deal With The Universe
Into the woods
by Anne-Katrin Titze
Rick Kelly on working with wood and Carmine Street Guitars
Unlimited perspectives
by Anne-Katrin Titze
Keith Behrman on Giant Little Ones
Choreography of an encounter
by Anne-Katrin Titze
Michal Aviad on workplace harassment and Working Woman
"She made every subject her own"
by Anne-Katrin Titze
Michal Aviad remembers Agnès Varda
Final fade-out for Varda - a force of nature
by Richard Mowe
New Wave pioneer 'never bankable' but much treasured
A rose between thorns
by Anne-Katrin Titze
Alison Klayman on Steve Bannon and The Brink
Rhythm and logic
by Anne-Katrin Titze
Pierre Salvadori and Pio Marmaï on The Trouble With You
An unknown emotion
by Anne-Katrin Titze
Hélène Fillières on Lambert Wilson, Diane Rouxel and Raising Colors
You only live twice
by Jennie Kermode
Andrea Jaurrieta on doubles, performance and reinventing the self in Ana De Día
Resonances beyond
by Anne-Katrin Titze
László Nemes on fairy tales, Murnau's Sunrise, and Sunset (Napszállta)
Caught by the city
by Anne-Katrin Titze
Sophie Fillières on When Margaux Meets Margaux
Scoring White Crow
by Amber Wilkinson
Ilan Eshkeri on his third collaboration with Ralph Fiennes
Satellite of love
by Jennie Kermode
Joaquín Cambre on working with young actors and making A Trip To The Moon
Beautiful and poetic
by Anne-Katrin Titze
Mikhaël Hers on Vincent Lacoste, Stacy Martin, Isaure Multrier, Greta Scacchi and Amanda
Space for the imagination
by Anne-Katrin Titze
Franz Rogowski on breath control, Transit and the Kammerspiele
Your senses are there
by Anne-Katrin Titze
Brinsley Forde on Franco Rosso, Babylon and present day England
Capturing a life behind the camera
by Amber Wilkinson
Kim Longinotto and Ollie Huddleston on Shooting The Mafia
Innocent and ominous
by Anne-Katrin Titze
László Nemes on TS Eliot, caves of darkness and the innocent and ominous in Sunset
Top End Team
by Amber Wilkinson
Miranda Tapsell, Gwilym Lee, Wayne Blair and Joshua Tyler on Aussie rom-com
My hometown
by Anne-Katrin Titze
Kent Jones on the casting and soundtrack in Diane
Bite sized treats
by Andrew Robertson
We look forward to the Glasgow Short Film Festival
Music legends
by Anne-Katrin Titze
Dennis Bovell on style, substance and scoring Babylon
All is not lost
by Anne-Katrin Titze
Susanne Wolff and Wolfgang Fischer on shooting Styx on the high seas
Within the imagination
by Anne-Katrin Titze
Emmanuel Mouret on Diderot, Pierre-Jean Larroque's costumes and Lady J
Memory and identity
by Anne-Katrin Titze
Christian Petzold on Franz Rogowski and the language in Transit
On French cinema
by Anne-Katrin Titze
At the Rendez-Vous With French Cinema with Serge Toubiana
The beat goes on
by Jennie Kermode
GFF Diary days 11&12: Beats, Frightfest, Michael Palin, Vicky Knight and terror in the woods
A real joy
by Anne-Katrin Titze
Kyle MacLachlan on high school acting and playing a father in Giant Little Ones
It's your funeral
by Jennie Kermode
Rehana Rose on death, remembrance and Dead Good
That Friday feeling
by Jennie Kermode
GFF Diary days 9&10: Jessie Buckley, Claire Pijman, whisky and Frightfest
Something in the water
by Jennie Kermode
Perry Blackshear on rusalkas, mythic filmmaking and The Siren
All in the game
by Jennie Kermode
Søren Juul Petersen on games, gore and Finale
Beyond the Valley
by Jennie Kermode
GFF Diary days 7&8: Peter Howson, Adam Pearson, Carol Morley and a little bit of time travel
Body of work
by Anne-Katrin Titze
Adina Pintilie on Einstürzende Neubauten and Touch Me Not
Life in movement
by Amber Wilkinson
Icíar Bollaín and Paul Laverty on bringing Carlos Acosta's biopic Yuli to the screen
Who ya gonna call?
by Jennie Kermode
GFF Diary days 5&6: Roxy Toporowych, the Margaret Tait Award and a spot of ghostbusting
Inside his head
by Jennie Kermode
Billy Senese on psychiatry, horror, The Dead Center and building stories through sound
All abuzz
by Jennie Kermode
GFF Diary days 3&4: Carlos Acosta, David Dastmalchian, busy bees and a trip inside The Matrix
Close encounters with a musical legend
by Richard Mowe
At home with Stanley Donen in New York
Dinner and devilry
by Jennie Kermode
Jack McHenry and Margaret Clunie on Here Comes Hell
News

'History is constantly repeating itself' Ferit Karahan on recurring cycles and the end of childhood in Djinn Wedding

Expanding the possible Fernanda Salgado on fantasy, reality, Jan Švankmajer and Ana, En Passant

A burning thing Sneha Mehta and Teddy Stern on falling in love with Mumbai, and making Getar Hero

Nothing is impossible Paul Rowley on moving to New York, the Pulse massacre, and Gays Against Guns

‘The only thing that makes a story universal is emotions’ Warsaw’s Industry panel discuss reaching audiences abroad

European Film Academy shortlist announced 68 features vie for nomination

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It's a busy time for festivals and here's the latest:


French Film Festival UK Programme announced


London Winners announced


Tallinn Black Nights UK co-production joins Works In Progress


Warsaw What Belongs To Others takes top prize


Tallinn Baltic Competition, Rebels With A Cause and Critics' Picks titles announced