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Elliptical in nature
by Anne-Katrin Titze
David Zellner and Nathan Zellner on Damsel
Linklater - still king of the indies
by Richard Mowe
Director talks roots, inspiration, Cate Blanchett, and Hollywood
All sing-a-long with Robbins
by Richard Mowe
Oscar winner on music, #MeToo, controversy, and dreams
Robbins on the barricades in Karlovy Vary
by Richard Mowe
Shawshank star laments return to bullying, intolerance and oppression
Race against time
by Jennie Kermode
Finlay Pretsell on cycling, David Millar and Time Trial
A world upside down
by Anne-Katrin Titze
Lisa Immordino Vreeland on Love, Cecil and the legacy of Cecil Beaton
Making up is hard to do
by Anne-Katrin Titze
Tiffany Bartok on Larger Than Life: The Kevyn Aucoin Story
A dimension of complexity
by Anne-Katrin Titze
David Zellner and Nathan Zellner on Robert Pattinson, Mia Wasikowska, cowboy ballads and Damsel
Epic in scope
by Anne-Katrin Titze
David Zellner and Nathan Zellner on Damsel
Unreal belonging
by Amber Wilkinson
Gustavo Pizzi and Karine Teles discuss Loveling and portraying families on screen
Time travelling
by Anne-Katrin Titze
Michael Mayer on a Pharrell Williams film, Head Over Heels, and Adam Driver in Burn This
EIFF highlights
by Amber Wilkinson
Six of the best at this year's fest
Making Mayhem
by Jennie Kermode
Joe Lynch on Steven Yeun, Samara Weaving and why you should quit your job
Infusing spirit
by Anne-Katrin Titze
Alexandre Moors on Tye Sheridan, Alden Ehrenreich, Annie Beauchamp and The Yellow Birds
The threshold move
by Anne-Katrin Titze
Denis Lavant turns the pages of The Mountain
In the crosshairs
by Anne-Katrin Titze
Alexandre Moors on bringing The Yellow Birds to the screen
Making Babies
by Jennie Kermode
Joanne Mitchell on her love of horror, awesome women and Attack Of The Adult Babies
A great communicator
by Anne-Katrin Titze
Wim Wenders on the refugee crisis, the power of nature, and Pope Francis: A Man Of His Word
Not a serious place
by Anne-Katrin Titze
Matthew Miele on George Clooney, Bobby Short, Bill Murray, Alan J Pakula and Always At The Carlyle
A sensory experience
by Anne-Katrin Titze
Kate Novack and Andrew Rossi on kaleidoscope eyes and The Gospel According To André
Drawing breath
by Anne-Katrin Titze
Simon Baker on the ocean, identity and making Breath
The many faces of Marion
by Richard Mowe
Piaf actress on Ismael's Ghosts, freedom, family and #MeToo
Remembrances
by Anne-Katrin Titze
Whit Stillman on dogs, owls, lost possessions and The Last Days Of Disco
Bodies in the water
by Anne-Katrin Titze
Simon Baker on fathers, sons, a rescue dog and Breath
Emotional response
by Amber Wilkinson
Marta Bergman on the heroine's journey in Alone At My Wedding
Art on screen
by Jennie Kermode
Phil Grabsky on I, Claude Monet and the stories that bring art to life
After the carnival
by Anne-Katrin Titze
Wim Wenders on symbols of Catholicism and Pope Francis: A Man Of His Word
Birds of a feather
by Anne-Katrin Titze
Michael Mayer on Nico Muhly, remembering the past, and a Hamlet scene not shot for The Seagull
These are the words
by Anne-Katrin Titze
Wim Wenders on his first meeting for Pope Francis: A Man Of His Word
Kubrick in the spotlight
by Anne-Katrin Titze
Leon Vitali on Stanley Kubrick, Filmworker and working with children and animals
Spider Man in the Hollywood Hills
by Richard Mowe
David Robert Mitchell serves up a Los Angeles noir thriller in Cannes
Taking wing
by Anne-Katrin Titze
Michael Mayer on Annette Bening, Saoirse Ronan, Elisabeth Moss, Brian Dennehy and The Seagull
Spike Lee puts Trump in Cannes firing line
by Richard Mowe
Charlottesville riot provides powerful coda to film
Cutting comments
by Anne-Katrin Titze
Lisa Immordino Vreeland on Katharine Hepburn, Coco Chanel and Cecil Beaton
In Focus
by Anne-Katrin Titze
Leon Vitali on Stanley Kubrick and Filmworker
Honoré goes back to the future
by Richard Mowe
Director on sex in the Nineties, nudity, seduction and desire
The human touch
by Anne-Katrin Titze
Matthew Miele on Always At The Carlyle
Mulligan detects hope on the horizon
by Richard Mowe
Wildfire star on pay parity and workplace etiquette
Scaling the heights
by Jennie Kermode
Jennifer Peedom on working with the Australian Chamber Orchestra on Mountain
How Cruz and Bardem split life and work
by Richard Mowe
Farhadi wrote Cannes opener roles with couple in mind
Coming back to life
by Jennie Kermode
David Freyne on zombies, political populism and The Cured
The storyteller
by Anne-Katrin Titze
Andrew Bolton on Heavenly Bodies: Fashion and the Catholic Imagination
Blanchett seeks a winner with durability
by Richard Mowe
Cannes jury president talks gender balance and awards
'68: A Long Time Coming
by Anne-Katrin Titze
Volker Schlöndorff on the famous student protests, individuals and the tides of history
Outrageous rumours
by Jennie Kermode
P David Ebersole and Todd Hughes on Jayne Mansfield, Pierre Cardin and making Mansfield 66/67
Portrait of a lady and a city
by Anne-Katrin Titze
Fabien Constant on Sarah Jessica Parker and the team behind Blue Night
Strangers on a train
by Jennie Kermode
Tanna Frederick on telling true stories, understanding bigotry, and Train To Zakopané
Reconstructed heroine
by Anne-Katrin Titze
Susanna Nicchiarelli on exploring character in Nico, 1988
Style and grace
by Anne-Katrin Titze
Kate Novack and Andrew Rossi on The Gospel According To André
The romance of the other
by Jennie Kermode
Xavier Gens on feminism, colonialism and the challenges of filming Cold Skin
News

'History is constantly repeating itself' Ferit Karahan on recurring cycles and the end of childhood in Djinn Wedding

Expanding the possible Fernanda Salgado on fantasy, reality, Jan Švankmajer and Ana, En Passant

A burning thing Sneha Mehta and Teddy Stern on falling in love with Mumbai, and making Getar Hero

Nothing is impossible Paul Rowley on moving to New York, the Pulse massacre, and Gays Against Guns

‘The only thing that makes a story universal is emotions’ Warsaw’s Industry panel discuss reaching audiences abroad

European Film Academy shortlist announced 68 features vie for nomination

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It's a busy time for festivals and here's the latest:


French Film Festival UK Programme announced


London Winners announced


Tallinn Black Nights UK co-production joins Works In Progress


Warsaw What Belongs To Others takes top prize


Tallinn Baltic Competition, Rebels With A Cause and Critics' Picks titles announced