Cannes honour for veteran rebel

Léaud to receive Palme d’or for his career

by Richard Mowe

The two faces of Jean-Pierre Léaud: (left) as the young rebel with a cause in his first film The 400 Blows and the veteran actor today
The two faces of Jean-Pierre Léaud: (left) as the young rebel with a cause in his first film The 400 Blows and the veteran actor today Photo: Cannes Film Festival

French actor and New Wave icon Jean-Pierre Léaud, who started his career in François Truffaut’s The 400 Blows (Les 400 Coups) will receive an honorary Palme d’or at the closing ceremony of the Festival’s 69th edition on Sunday 22 May.

Léaud made his first appearance on the Croisette in 1959 as the young and rebellious hero Antoine Doinel, a character who continued through Antoine Et Colette (1962), Baisers Volés (Stolen Kisses) (1968), Domicile Conjugal (Bed And Board) (1970) and L'Amour En Suite (Love On The Run) (1979).

Other previous recipients of the honorary Palme include Agnès Varda in 2015 as well as Clint Eastwood, Manoel de Oliveira, Woody Allen and Bernardo Bertolucci in recent years.

Leaud stars as King Louis XIV in Spanish director Albert Serra's La Mort De Louis XIV (The Death Of Louis XIV), which is part of the festival's Special Screenings.

After Truffaut, Léaud began an equally long working relationship Jean-Luc Godard on films such as Masculin Feminin (1966) and La Chinoise (1967). Leaud also served as assistant director for several Godard films, such as Pierrot Le Fou (Crazy Pete) and La Peau Douce (Silken Skin).

He has starred in films by Bernardo Bertolucci (Last Tango In Paris) and Jacques Rivette (Out 1) as well as Jean Eustache's La Maman Et La Putain (The Mother and the Whore) (1973) which won the Cannes jury’s Special Grand Prix.

Aki Kaurismaki (I Hired A Contract Killer), Olivier Assayas (Paris Awakes), Bertrand Bonello (The Pornographer) and Tsai Ming-liang (What Time Is It There?) have all featured his presence.

The announcement was made today as the organisers prepared for tomorrow’s red carpet opening (11 May) with Woody Allen’s Café Society, perceived as a perfect glamorous showcase for the occasion, set in Hollywood’s golden and opulent era in the Thirties.

Share this with others on...
News

Family ties and trauma Laurynas Bareisa on relationship dynamics in award-winning drama Drowning Dry

Looking back RaMell Ross on basketball, filmmaking, overcoming objectification and Nickel Boys

In dialogue with time Bookworm director Ant Timpson on the changing landscape of cinema

Shaping the cut Valerie Krulfeifer and Mickey Keating on their unreleasable past work and Invader

Peering into the heart of darkness Jeremy Strong on playing Roy Cohn in The Apprentice

The show must go on Nina Gantz on exploring grief with humour in Wander To Wonder

Going for gold Sebastian Stan on playing Donald Trump in The Apprentice

More news and features

We're currently bringing you reviews from Palm Springs.



Towards the end of 2024, we covered DOC NYC, the French Film Festival UK, Tallinn Black Nights, the Leeds International Film Festival, Abertoir, the London Korean Film Festival, the Belfast Film Festival and Halloween Frightfest.



Read our full for more.


Visit our festivals section.

Interact

More competitions coming soon.


DJDT

Versions

Time

Settings from settings.local

Headers

Request

SQL queries from 1 connection

Templates (11 rendered)

Cache calls from 2 backends

Signals