Netflix screening hit by fault

Swinton and Bong keep their cool.

by Richard Mowe

Bong Joon-Ho, Tilda Swinton and An Seo Hyun at the Cannes Film Festival for the premiere of Okja
Bong Joon-Ho, Tilda Swinton and An Seo Hyun at the Cannes Film Festival for the premiere of Okja Photo: Cannes Film Festival

Could it be the curse of Netflix? The Cannes media screening of a film part-produced by the streaming giant got off to a rocky start when Okja by South Korean film-maker Bong Joon-Ho was shown this morning (19 May) to chorus of boos, hissing and slow hand-claps from the assembled throng.

They weren’t reacting to the film itself, but the fact that it appeared on screen in the wrong wide-screen format with a third of the image being obviously shown above the black masking.

It took a full six or seven minutes before the mistake was recognised by the technical team and the showing was stopped in a cacophony of protest to allow the fault to be rectified. It took another 20 minutes before the screening was resumed.

Bong seemed non-plussed at the news when later he confronted the media, suggesting that it was not a bad thing for them to have seen the helter-skelter opening sequence for a second time.

Netflix are in the throes of a Festival controversy over their decision to disallow the film (and also The Meyerowitz Stories) any screenings in cinemas in France and elsewhere. Okja is clearly a film made for the big screen. The Cannes authorities have introduced a new ruling to prevent such a situation at next year’s Festival.

Tilda Swinton who plays evil twin sisters and corporate heads in the film, was not worried if the row compromised the title’s chances of winning a prize. Jury head Pedro Almodóvar had said on the first day of the Festival that he couldn’t imagine giving the Palme d’Or to a film that wouldn’t be seen on the big screen. Swinton said: “We didn’t come here to win prizes but rather to ensure the film was seen at the Festival.”

The Cannes organisers have admitted their culpability in this morning’s fiasco. A statement said: “This incident is completely due to the technical staff of the festival who deeply apologise to the director and his team, to the producers as well as to the audience,” the festival said in a statement.

Share this with others on...
News

Expanding the possible Fernanda Salgado on fantasy, reality, Jan Švankmajer and Ana, En Passant

A burning thing Sneha Mehta and Teddy Stern on falling in love with Mumbai, and making Getar Hero

Nothing is impossible Paul Rowley on moving to New York, the Pulse massacre, and Gays Against Guns

‘The only thing that makes a story universal is emotions’ Warsaw’s Industry panel discuss reaching audiences abroad

The only thing worth saying Chuko and Arie Esiri on adapting Mrs Dalloway and making Clarissa

European Film Academy shortlist announced 68 features vie for nomination

More news and features

We're bringing you all the latest news and reviews from the London Film Festival and Newfest.



We're looking forward to the Belfast Film Festival, Halloween Frightfest, the Cheltenham International Film Festival and the Leeds International Film Festival.



We've recently brought you coverage of the New York Film Festival, Grimmfest, Beyond Fest, the San Sebastian International Film Festival, Fantastic Fest, the Toronto International Film Festival and the Venice Film Festival.



Read our full for more.


Visit our festivals section.

Interact

Don't forget that you can follow us on YouTube for trailers of festival films and more. You can also find us on Mastodon, Instagram and Bluesky.


It's a busy time for festivals and here's the latest:


London Winners announced


Tallinn Black Nights UK co-production joins Works In Progress


Warsaw What Belongs To Others takes top prize


Tallinn Baltic Competition, Rebels With A Cause and Critics' Picks titles announced


Dinard I See Buildings Fall Like Lightning named Best Film