Search: Starring Bradley Cooper

Bradley Cooper as Richie gives the finest madcap performance of his career.

All brawn and very little brains.

Alias is intelligently-written, notably complex and deserves to be more well-known that it is.

The very worst thing about this film is its message.

Fable and fact make an uneasy mix.

The oddities don't add up to anything and the love story between Adam and Helene is as predictable as it is sad.

Throwing in some slapstick and cutesie animals doesn't distract from the fact that the female characters exist only in relation to men.

Making sense of explosions on green screen is a tough call

This is filmmaking that paints by numbers and with Key Performance Indicators in mind.

Overall, Guardians of the Galaxy is good fun.

This film makes a number of intriguing choices.

Reckless, feckless and, above all, utterly irredeemable.

A warm, wise and witty examination of male/female relations so grounded in the real that makes Sex and the City look as insightful as a stool softener TV ad.

If this is just more of the same, is that really such a terrible thing?

What should have been a pleasant, even a heartwarming and humorous story about the way life knocks us down and asks if we're able to pick ourselves up, is crippled by a screenplay that sets itself up to fail.

As wild as it seems at times, the film is deeply grounded in an emotional truth for each of the protagonists.

It's almost as if the project ran out of money or whole scenes were cut to preserve the runtime, as after setting up some juicy ideas, the film cheats us by ushering in conclusions which leave the words 'but how did that happen?' hanging accusingly in the

If The Midnight Meat Train starts with what sounds like a bog-standard serial killer premise, it quickly deviates into more uncharted terrains.

Maestro is a starry affair on all fronts.

The director (Clint) takes it easy, letting the actors walk through their roles in style.

From its first kindlings it draws breath from your lungs as surely and as steadily as it draws your eyes.

Derek Cianfrance's The Place Beyond the Pines, tells stories of fatherhood with a fine-tuned generosity, as haunted men cycle through patterns spinning out of control.

The film spirals towards the inevitable like a Greek tragedy written in crayon.

Russell impressively couples gambling strategies with self-help mantras to expose the machinations of searching minds who don't know how to flee the ugly banal lives of most common betrayals and economic anxieties.

Hugely enjoyable, shamelessly melodramatic and technically swish.

There's so much that borrows from other places that Superman doesn't feel indebted as much as hollowed out.

It's not long before it all becomes delightfully self-mocking.

So while War Dogs includes elements of comedy, reviews describing it as “hilarious”, or pigeon-holing it as such are misleading.

Carrey has managed to find a middle ground for his divisive brand of comedy, using his natural humour to its fullest extent but steering clear of excessive slapstick.