Search: Starring Denis Lavant

This initially seems like a set-up for a film exploring mental reconciliation after estrangement but the Larrieus have other ideas - perhaps too many of them.

Far from being lascivious, Nurlan is wistful, and Manojlovi, who has the look of a sort of hangdog Walter Mathau, favours expressions of surprise, puzzlement and resignation over anything so low-brow as lust.

The director, perhaps too accustomed to the more limited budget of his early films 77 Doronship and Salamander, imagines the story of Peron's corpse as a series of vignettes, which gives the film a feeling of a unsatisfactorily adapted stage play.

Mendes more veiled than unveiled and, at times, resembling the Virgin Mary, is wonderful, confused and tender.

It’s the acting that carries it, and naturally Farahani, one of the finest talents of her generation, does not disappoint.

Human Flowers Of Flesh is a film of spaces merging, physically in image, in thought, and of the senses.

Unfolds as an epic poem in which the fiction alternates with documentary inserts and strange, dreamlike hallucinations.

A meditative miniature of hypnotic grace.

The glorious sight of a flying nun, an image Korine has said was one of his inspirations for the film, is both a moving and a joyous one.

Kier, Goldblum, and Lavant are never less than fantastic in their portrayal of modes of crazed, unreliably self-assured masculinity.

Expanding on the notion of loneliness and the importance of familiar places in our lives, Rocher brings in themes about emotional dependency, possessiveness and the ways we define our identities in relation to others.

The production design of Redoubt is nothing short of a triumph.

Ozon remains faithful to the source and keeps its sense of mystery but has strengthened the female characters

There's much that’s enjoyable and enchanting.

A miniature masterpiece.