Search: Starring Dermot Mulroney

We witness the best ensemble acting in a film with actresses in leading roles that Hollywood has produced this year.

About Schmidt is about wasted lives. These people are dull, sad or whingesomely vulgar. You laugh at them, rather than with them, and feel guilty doing so.

Despite its share of mismatched moments, Young’s feature has a lot of creative flair.

With its thinly veiled homophobia and misogyny, you begin to long for the upfront approach of Benny Hill.

See it for Kinnear’s career-best performance and a few effective scenes and pithy lines.

The odd structure doesn’t always serve the film well, but Ryder is impressive, disappearing into her character in a way she has rarely managed to do elsewhere.

The Grey is essentially a Boy's Own film for adults, but its air of genuine menace transcends the sort of schtick that often sinks the genre

With these rich characters and this level of awareness, the stage is set for what ought to be a great film, but sadly Insidious: Chapter 3 amounts to less than the sum of its parts.

A quirky, funny, insightful movie of immense charm.

The performances are an absolute joy.

Its predictability acts like comfort food and the complete absence of surprise feels satisfying, like a Wendy's double burger with cheese.

Its intended jokes are mostly unfunny but as it develops, The Rambler contains enough hallucinatory imagery, lifted straight from low-budget sci-fi horror, to boil over with a certain nightmarish feel.

The heightened sense of India's reality is mimicked by Park's style and Miller's creations, who are pushed into the realm of melodrama and perilously close to caricature in pursuit of gothic thrills.

Some of the dialogue could be more polished, but the brutal honesty... makes up for it.

Emphasising texture over tension, Undertow plays like a mud-splattered Hansel and Gretel.

The concept is fruitcake flimsy, decorated with sweet nothings and garlanded with small talk that would make Bridget Jones cringe.