Search: Starring Frank Langella

Kelly should be praised to the heavens for his willingness to juggle very big ideas and to engage with the thorniest of ethical questions, taking one couple's seemingly straightforward dilemma and transforming it into a crux of apocalyptic dimensions.

Taken as a whole, however, the director is trying too hard, pushing this family so far into caricature that we lose sight of the story of grief that is underpinning the shenanigans.

Clément signposts the action too far in advance, so that with the tension gone, all that's left is to enjoy his craft.

It’s Frank Langella’s towering interpretation of Nixon that eventually makes every other character real.

Good Night, And Good Luck proves that it is still possible in the cinema, if not in television, to inform without being boring and entertain without condescending.

Kidman is 47. She's an actress playing an actress, not a Catholic girl from Philly with all the enthusiasm of youth

The inevitable sadness is balanced by so much joy and energy that it's a delight to watch.

This version is better than Kubrick's.

Made for HBO, the film demonstrates the high quality of some American television.

Polanski and Depp conspire to plant seeds of doubt in the minds of the audience.

Jake Schreier and scriptwriter Christopher Ford go well beyond the initial fun of the robot conceit to craft a thoughtful film musing on both the ageing process and our relationship with technology.

In scenes filled with wit and intelligence, Langella and Ambrose perform an exquisite dance of power.

A wonderful movie with a nice clear story, good good guys, bad bad guys, rather special effects . . . really, every department is on top form here.

The story is so predictable you wait for that running-through-the-spray on the beach scene with dread and could choose the girly ballads on the soundtrack with pinpoint accuracy.

This is a clean-cut, old school script that has no time for messy interludes or spare chat, but this is a feature film not a documentary and the polish adds pace.

A classic example of a workmanlike piece given enough polish to make it stand out.

There are loads of characters, tonnes of things going on, and little to no reason to invest.