42nd Street (1933)
A chorus girl understudy steals the show on Broadway after the leading lady is unexpectedly incapacitated.
Kitty Foyle (1940)
A working class girl who has successfully elevated her social position finds herself torn between two lovers and seemingly destined for heartbreak.
Shall We Dance (1937)
Jazz and ballet collide in the classic Fred and Ginger romance.
Swing Time (1936)
A gambler trying to win the money to marry his fiancee inadvertently falls for a dancer.
Top Hat (1935)
Mistaking a modest young dancer for his wealthy producer, a young woman allows herself to be swept off her feet in a whirlwind romance.
Vivacious Lady (1938)
A shy academic falls head over heels in love with a nightclub hostess and marries her on an impulse, but their wedded bliss is strained by the impending need to tell his domineering parents.
We're Not Married! (1950)
A bureaucratic cockup results in five married couples becoming unmarried.
News

A collection of moments Mickey Keating on the metaphor and technique behind Invader

Family ties and trauma Laurynas Bareisa on relationship dynamics in award-winning drama Drowning Dry

Looking back RaMell Ross on basketball, filmmaking, overcoming objectification and Nickel Boys

In dialogue with time Bookworm director Ant Timpson on the changing landscape of cinema

Shaping the cut Valerie Krulfeifer and Mickey Keating on their unreleasable past work and Invader

Peering into the heart of darkness Jeremy Strong on playing Roy Cohn in The Apprentice

The show must go on Nina Gantz on exploring grief with humour in Wander To Wonder

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Towards the end of 2024, we covered DOC NYC, the French Film Festival UK, Tallinn Black Nights, the Leeds International Film Festival, Abertoir, the London Korean Film Festival, the Belfast Film Festival and Halloween Frightfest.



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