Search: Starring Jeff Daniels

Once they hit the road, the script goes away with the pixies.

As in so many loosely bound thrillers, the denouement doesn't add up and the final shoot-out is farcical.

Berg's dilemma requires him to try and solve logical and ethical puzzles, and cannot be alleviated through the easy process of having him find Heisenberg likeable.

Good Night, And Good Luck proves that it is still possible in the cinema, if not in television, to inform without being boring and entertain without condescending.

It would be difficult to overestimate the quality of this film.

The real standout performance is Franco’s.

Struggles with pacing.

Certain scenes feel too glib and stagey, as though they’ve been doused with pop video gloss – particularly the snow, which surely had its own assistant, make-up artist and trailer.

The Martian’s real strength lies in its good-natured attitude.

This is a special effects bonanza on the lines of The Mask, with Lloyd hamming it outrageously and Daniels blundering about like a walrus in a tea shop.

Despite offering a handful of touching moments, this quirky indie effort feels a bit messy and never properly finds it's rhythm.

The film springboards into carefully balanced comedy, and surprising social commentary.

Leave your prejudices at the door. This family adventure might surprise you.

Listing the things which are wrong with this film would take more space than Eye For Film allows.

A heart-in-your-mouth experience.

A tragically funny glimpse of a family in meltdown, made all the more excruciating by the veneer of sophistication blanketing everyone involved.

The producers have kept what was best about the original, added some interesting touches and resisted the temptation to pile on the contrivances and explosions.

Fassbender does his best to not make the man easily likable at first.

Ryder conveys alienation with an authenticity that puts the rest of the movie to shame.