Search: Starring Jeffrey Tambor

The action sequences are alright, but The Accountant falls into the common superheroic trap (or trope) of confusing origin stories with character development.

If you have ever laughed at the headmaster when he slips on an egg yoke this movie is for you

Scriptwriters Nat Mauldin and Larry Levin lack vision to lift the movie out of TV sitcomland.

It's not quite as slick or sexy as the Ocean's movies, but it is steeped in personality.

The slapstick is not funny, it's violent. A sensitive child will be shocked to tears.

The film has every quality of a personal story.

This film makes a number of intriguing choices.

Reckless, feckless and, above all, utterly irredeemable.

If this is just more of the same, is that really such a terrible thing?

Hellboy holds his head high above the mass of superhero characters thanks to a terrific performance by Ron Perlman.

Cinema is full of monsters, but few in recent memory have been so capable of eliciting our sympathy and understanding.

A gentle, thoughtful, genuinely entertaining film with endearing characters and real ideas.

The pace of the film would not startle a snail.

Jim Carrey's latest is a perfectly pleasant if predictable picture about a part-time pop who learns his priorites after receiving a package of penguins.

Those who are allergic to Muppetry will find it difficult not to enjoy this and those who used to love them can do so again.

The best gags, at least for the over 20s, subvert 50s sci-fi movie convention.

As a directorial debut, the film is patchy, but intense.

A car wreck has more style.

Daft as a brush and consistently funny.

With their Day-Glo colours, singing and attitude to hugging, this is probably one of the few animations that will simultaneously appeal to the very young, any parents nostalgic for rave culture and grandparents who tuned in and dropped out.

The joy is in the animation, with the non-speaking characters, particularly Rapunzel's chameleon pet and dogged palace horse Maximus stealing every scene they are in.

The film has a great beginning, an okay middle and a stupid ending.

Everything about McCarthy's film feels easygoing and economical. His scripting is sharp and laugh-out-loud funny, with relationships and family dynamics establilshed quickly in an unfussy fashion.