Search: Starring John Cho

For a movie that treats penetration with military precision, it is not as radical as it appears. Traditional rites-of-passage sentiments surrounding the Prom remain intact.

The level of humour has plummeted.

A charrming and funny improvement over the second and third slices.

The sense of poise created, as people move through spaces or talk back and forth, objects often leaving the frame in one direction as another enters from the opposite side, achieves a soothing rhythm.

Weitz wisely has no time for fluff - these are clever women charting tricky territory and spending 78 minutes in their company is an easy choice to make.

Doesn't take itself any more seriously than is necessary to sell itself as a funny stoner flick.

As sweet as it is bitter.

The inevitable sadness is balanced by so much joy and energy that it's a delight to watch.

Thumbs up here for graphics that are colourful, inventive and always interesting.

Over The Moon is full of bright colours and boldly drawn characters which will appeal to even the smallest children.

For an erotic thriller it's pretty short on both thrills and eroticism.

The film - co-written by Sev Ohanian - is not just clever in the way that it uses familiar programs and the Windows and Apple Mac environments but also in the way it triggers familiar emotions.

Soderbergh's use of real time, old time, dream and memory is orchestrated with such delicacy that the meaning of truth dissolves into pure sensation.

JJ Abrams rescues Rodenbury's creation from the pop culture scrap heap and produces a very likeable romp.

The film’s flaws come primarily in the weak villain and some irritating editing and plotting choices.

The baddie's been beefed up, the plot's been pared down, but the emotional core which really sold the first film—the magnificent character interaction—remains unscathed.

Whereas the original was a bright, primary coloured comic book, this looks more like a mobile phone advert.