Search: Starring Michael Sheen

Wonderland? I'm afraid this Alice has gone for a Burton.

Anything can happen and nothing makes sense and reality is a word as plain as it is pointless

Brad is a painstakingly developed character and one who is often sympathetic, if not exactly likeable, but he's also a character we've seen many times before.

Where Fry succeeds so well is allowing the intrinsic innocence of these brittle butterflies to be exposed without mockery.

It’s Sheen’s ability to humanise the brilliant-yet-volatile legend that hits the back of the net hardest.

The pace is slower than a trot

It’s Frank Langella’s towering interpretation of Nixon that eventually makes every other character real.

The English bits tend to drag dreadfully.

For an uplifting tale about an ordinary man, who is not a recovering alcoholic, or a typical British waster, then check this out.

What is Reese Witherspoon doing here? That's a loaded question, safety catch off

The character-based comedy mostly works as well as it does on the show, but the laboured and frequently infantile storylines make the film fall flat on its face when it's not half way up its own arse.

For some, Midnight In Paris will be first love; for others, a delicious encounter with an old flame.

Kemp makes a virtue of his ‘going for a ride’ framework, so that the viewer has a short-hand indication of where each of the five segments into which the film is split will take them.

This is a study of bitter, sorry people hurting each other using ancient memories, propelled like bullets via the power of fiction.

Cedar aims for emotional truth through visceral recognition and he succeeds in feeding our desire to understand what makes humans do the things we do.

The concept of being trapped in solitary confinement for the rest of your natural is a goose bump reversal experience

A few contrived moments, such as the metaphorical stag the Queen spots on her estate, only marginally detract from what is otherwise a fascinating drama on previously uncharted cinematic territory.

Proof that when you combine a great premise and a talented director, you don't necessarily strike gold.

You are unlikely to see a better-looking film this year or a film that is more of its moment – but if you see this a few years hence, it will no doubt already have started looking as redundant as an Eighties arcade game.

Delivers in spades what the first film only hinted at.

Offers far more visually than it does narratively.

Absense of personality leaves Beckinsale's character in a limbo, where sex appeal is not the same as charisma.