Search: Starring Rachel McAdams

This is complete hand-waving trash - he's an ignorant, privileged cocky arsehole and good things happen to him. Pass the sick bucket.

What the film does well is to establish that, in the absence of larger problems, anxiety is refocused on smaller ones.

When the price of obedience is a life of lies where humiliation has no bounds, the pent-up desire explodes.

It might not leave you spellbound but you're likely to be charmed.

The most mind-bending, spectacular visuals of the entire series.

There's a very clear fondness here for the subject matter.

Teen movies are pushing the lid on the trash can.

Mark Osborne's gently unfolding palimpsest of a film is a sweet tribute to generations of readers who have been enchanted by the prince.

The feel of this film is sumptuous - convincingly recreated mid-century sets, an evocative soundtrack, gorgeous gowns for the women and smart suits for the guys.

There are some funny moments along the way and Lohan is good.

For some, Midnight In Paris will be first love; for others, a delicious encounter with an old flame.

The end result may look good but it never feels distinctive despite the wealth of talent involved in front of and behind the camera.

The cinematography is packaged in a red-ribboned chocolate box, with emphasis on gut-melting sunsets, riverscapes and white birds aflying.

Lacks all charm.

A thumpingly good knuckle-biter.

A more action-led and contemporary take to satisfy modern audiences, with a hero who's as much a swashbuckler as he is a stuffy intellectual.

Released for the Christmas audience, this film does have a touch of the pantomime about it.

Ever since Donnie Darko it's been clear that Gyllenhaal is something special, and here he really gets the chance to shine.

Spotlight does not fall into the trap of explanatory flashbacks. We do not need to see the protagonists' past because we can tell so much from what they are wearing.

The producers have kept what was best about the original, added some interesting touches and resisted the temptation to pile on the contrivances and explosions.

No more than fleetingly touching, rather than achingly romantic.

Once again, Malick tackles the big themes full on – love, the nature of creation and creativity, the relationship of Man to God, and of humanity to the environment – and reaches what seems to me a pretty pessimistic conclusion.

Will have you laughing until you're sore.