Search: Starring Ryan Reynolds

At its core, Adventureland is a surprisingly sweet and tender coming-of-age romance.

Too bad nothing really happens in this film.

Blade has no sense of humour - you knew that already - but Snipes is made to look iconic, which means he's a dull date.

The film's chief virtue is that it remains true to itself - there are no sly cutaways to phones ringing in empty apartments or flashbacks to happier times, just Reynolds stuck underground and hoping for rescue.

Egoyan has made an edgy and contemporary psychological thriller.

It's an unbridled pleasure to see Bateman off the leash for once.

There are two stories running side by side. When they reach the junction they collide. It's a Hollywood disaster

Like its predecessor, this film relies heavily on fast-firing jokes with easy punchlines. Supported by the quirky animation, these are a lot of fun, but older viewers may quickly find themselves feeling worn out.

One for keeping the little ones happy on a damp afternoon.

For fans of the various franchises given nods and winks, and elbow nudges, and telegraphed air quotes by the Meta Merc, there’s a lot to like here.

That it manages to get away with this at all is largely down to the supernatural likeability of Ryan Reynolds.

Deadpool & Wolverine is more of the same.

Not as sophisticated a film as it likes to think, but it does the basics very well indeed.

It's entertaining, no doubt.

Has the feel of an authentic autobiography, where nothing is straightforward.

Dismal.

Doesn't take itself any more seriously than is necessary to sell itself as a funny stoner flick.

A high octane, low credibility caper

Reynolds has proved he's the king of dry delivery in everything from Deadpool to Pokemon Detective Pikachu but even his comedy Kevlar can't protect him from this script.

While Framestore and Cadence have notionally brought the various creatures to 'life' they've not got that vital spark one would hope for.

As an example of comic timing, Brooks is flawless.

Just Friends is less crude than many films of its kind and even made me laugh.

As a road movie it is surprisingly static

After all the care taken in this film, it's sad that the resolution is so cliched.

Despite offering a handful of touching moments, this quirky indie effort feels a bit messy and never properly finds it's rhythm.

The noir element, however, is lightened considerably by the film's other big debt - to the antics of Warner Brothers' cartoons past - with the characters frequently finding themselves in enjoyably absurd situations.

Follows a standard rom-com formula and there won’t be anything you haven’t seen a hundred times before.

Reynolds is the weak element, as usual.

Treat it as a live action cartoon, with dramatic pretensions, and you will not be disappointed.

The role of Frost, enigmatic, dangerous, with added unfathomable moral compass, is something Washington excels at and can do in his sleep, but he's played that card perhaps too many times for it to seem fresh.

Visually colourful but narratively bland.

For a while, at least, The Voices rattles along like a charming slasher comedy of errors.

This movie demonstrates in nauseating detail how chefs garnish a dish with excreta and pubic hairs, because a customer has complained too loudly, and you watch them eat it and laugh till you're sick (or should that be the other way round?).

Elegantly put together and watchable throughout, but falling short of the potential offered by this fascinating case, Woman In Gold has the shiny appeal of Klimt's work but none of the depth.

It’s not a washout, it’s just a mixed bag.