Search: Starring Toby Kebbell

Only 15 minutes into this instant classic I thought ‘this is a bloody masterpiece’.

This is better than good telly; it is excellent filmmaking.

Distrust is a dangerous and volatile thing and Reeves' film shows how it is this rather than grandstanding gestures that often lead to conflict.

The violence is heavy going and the atmosphere constantly fraught with a growing sense of foreboding.

It's essentially a character study - the trouble is that there's not much character there.

The setting may be current and sound edgy on paper but beneath the zeitgeist veneer, the mainstream thriller formula they employ is as familiar as your slippers.

They have dirt under their fingernails

Anchored by Anthony Ippolito’s performance – he not only bears a striking resemblance to Stallone, but his physical and verbal mimicry is uncanny.

Boggles the mind and stretches credibility to the outer reaches of imagination

Bayona knows how to turn the screw of sentiment, not so much jerking tears as gradually filling a well of sadness until it can't help but spill out.

Formulaic though it is, the film is undeniably a lot of fun, with a good balance of peril, action, romance and humour.

Entertaining and stylish.

Disney always has a tendency to err on the side of caution, choosing the established and familiar route over more crazy - and, let's face it, fun - ideas every time.

Kebbell has been waiting for a role like this and he makes the most of it, elevating what would otherwise have been a fairly uninspiring film.

Worthington is as nebulous a charisma void as ever, sucking all the life out of everyone and everything around him, while Liebesman is reasonably capable with action but proves a total hack when it comes to handling anything remotely resembling drama.