Search: Starring Willem Dafoe

Rodrigues's trilogy is a visual feast of posturing machismo, during which all sense and sensibility is discarded in favour of slow-motion stunts and death from a thousand angles.

A bit biased.

It is like nibbling for nearly two hours in the kitchens of the best chefs. At the end we are exhausted and hungry.

Pasolini's unfinished life remains painfully unresolved, as it should be.

Lanthimos skillfully transforms this lustful carnival into a coming-of-age drama, emphasising the protagonist's mastery of sexuality as a connotation of her mental evolution.

A true original.

A film that is entirely built on moments and glimpses.

The 12-certificate seems severe. This is a kids movie if ever there was one.

The effects are eye-popping and the look of the film is exquisite.

The film maintains an excellent blend of the domestic and the dramatic

Monaghan is superb, creating a character whose unlikeliness doesn't detract from her believability.

Like many of Ferrara’s films, Tommaso starts out with seemingly insignificant details, but stacks them until they mount ominously.

A real cinematic gem disguised as a rhinestone.

The meandering pace can get tedious at times, but cinematically it's a masterpiece.