There is a world of possible interpretation lurking beneath the surface of Frank Cottrell Boyce's script, which is as disorientating as the scenario the characters find themselves in.
A petrol station cashier falls for a serial killer.
Neil Jordan skilfully examines the nature of time and the theme that he surveys like no other filmmaker - what it means to physically be in two places at once.
Two vampires, mother and daughter, open a seaside bordello.
To begrudge this film its faults would be to ignore the way it cuts to the very heart of the contradictions and hypocrisies of a nation that still regards women as vessels for male bloodlines.
A woman resorts to desperate measures after she has a stillbirth.
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In silence
Emir Kumova on child marriage in Türkiye, moral challenges and making The Witness
