A fairytale love story dressed up for the modern age.
Messed around by the man she loves, a young woman decides to raise money for her art centre by taking on his bet and riding naked through the streets of Oxford.
By locating its own dedicated critic within the action of the film, it is possible to point out the triteness and question whether life can be so simply encapsulated within the tidy confines of literature.
A man forms an unexpected bond with a transient woman living in her car that's parked on his driveway.
As with so much of Russell's work, the film is let down by atrocious editing and tries to excuse its own failures with a desperate humour that only sometimes works.
An archaeologist discovers that an ancient snake cult may not be as dead as he thought.
The creative spirit displayed by the young, adventurous musicians in the Landfill Harmonic is a joy to behold.
Garbage from a landfill is used to create instruments for the local children, who form the Recycled Orchestra of Cateura, Paraguay, which turns their lives around.
The spectre of the war looms large in a film that explores the origins of violence, feuding, and the enactment of men's aggression toward one another on the bodies of women.
When a young American steps on a landmine in the remote Georgian countryside, he knows that if he takes his weight of it, he'll die.
The contrast between the characters and the actors sparky chemistry means the laughs have a head start, but there is also a considerable amount of psychological terrain being covered.
Paul Rotha's film is impressively rounded and researched in how it considers multiple perspectives and interrelating elements of infrastructure, economy and commerce.
An impassioned post-war call for nationally co-ordinated action to solve the housing crisis that had blighted lives for decades.
If you're a fan of Will Ferrell films you may find it moderately enjoyable.
Three modern humans travel through a timewarp to a parallel dimension where they have to battle lizard men and a T-rex in this reimagining of the classic TV series.
German star Tomer Sisley brings a winning level of charm to Largo, rising to the physicality of the role and injecting humour, but never letting it slip into pastiche.
A man tries to stay alive and track down the killer of his adopted father.
A showcase for Spanish special effects and relatively slick genre cinema, but plot and characterisation required more attention.
A couple of months after an epidemic has rendered most of the world's population agoraphobic, and scared to actual death if they go outside, Marc heads underground to make his way across Barcelona in search of his girlfriend.
By comprimising his film to bring the characters together, and yet failing to inject the irony or imagery of a director such as Jodowrosky, this falls short.
